Welsh Newspapers

Search 15 million Welsh newspaper articles

Hide Articles List

15 articles on this Page

THE NATIONAL EISTEDDFOD.

News
Cite
Share

THE NATIONAL EISTEDDFOD. Once more the bards, druids, and ovates of the Isle of Britain have met to celebrate the Welsh national institution, the Eisteddfod. The question that has been "agitating the more philosophical minds at Brecon is whether the patriotism and the national revival, of which the Eisteddfod is the sign and symbol, is healthy and good. The Dean of St. Asaph, and all who have discussed the question fairly, have decided that it is. Wales is split up into different camps, political and religious differences of opinion alienate one part of the nation from the other every institution common to all Welshmen equally must be, therefore, welcomed as tending leseen the prejudice and bigotry of sect and faction, and promoting a genuine union of Welshmen, Calon wrth galon." And this is what all begin to feel the Eisteddfod is doing. The Dean of St. Asaph delivered a powerful address at the Cymmrodorion on Monday night. It was a pleasant and wholesome sight to see how every sentence—full of wisdom, and broad- ness, and patriotism-was received with earnest attention and sympathy by all present, irrespec- tive of party or creed. Tuesday waa rendered eventful only by the fiery and enthusiastic address of Father Ignatius. His is a remarkable face. His features are almost classically perfect, while his large limpid eyes and sympathetic voice add to the almost irresistible charm of his manner and person. His mobile features change their expression with every changing thought, and as he proceeded with his address his face now glowed with his enthusiastic love of Wales, now with love of his Maker. It is a wonderful face, full of earnestness, and enthusiasm, and love. But the great day, of course, was Wednesday. The large marquee was crowded early in the day, over 10,000 people being admitted in the course of the morning. Father Ignatius again addressed the assembled Cymry, but with- out the same effect as before, for all were waiting to see and hear Patti. Nothing seemed to go so well as usual. Mabon and Lucas Williams sang" Hen Wlad fy Nhadau," and all joined in singing Bydd myrdd o ryfeddodau," and other Welsh hymns. But at half-past two there was suddenly a great calm. It was whispered that Patti was coming—was in the grounds-and lo the Diva, the Queen of Song," whose realm is wider than that of any earthly potentate, ascended the platform leaning on the arm of Dr. James Williams. It is impossible to describe her face. Its charm lies in its vivacity and changeful expression. Her soul seems to peep through her eyes, and a glance at them is enough to enchant the most phlegmatic. The immense audience rose en masse to receive her. Every Welshman, aye, every Englisman as well, shouted a hearty welcome sturdy colliers and ruddy farmers waved their hats frantically. The Diva came forward, her face wreathed in smiles, to bow her thanks; and this was a signal for another burst of applause. It was with difficulty that the harp competition could be proceeded with. The first competitor was a young man of 17, who played well, and Madame Patti, after he had finished, shook hands with him amidst applause. The second was a blind harpist, and the excitement grew when the Diva went up to speak to him words of sympathy and encouragement. The third was a boy of 12, Ap Pearce," of Tre- herbert, the son of a famous harpist, who pro- mises to equal his father's renown. The excite- ment became intense when Patti kissed the little boy and congratulated him on his skill. Loud grew the applause when it was announced that Patti's boy was the successful competitor. But it became known that Patti was going to sing, and every lip was silent. She sang first of all two Italian songs, which gave all a new insight into the world of music. The multitude showed their appreciation by loud outbursts of encores, to which Madame Patti responded by singing "The Last Rose of Summer." The excitement was becaming fast and furious, when Patti sang Home, sweet home." Every eye glistened with excitement, the phlegmatic caught the ardour and the enthusiasm of the more emotional among the audience. Cheer followed cheer, and the Diva graciously consented to sing another song. Her kindness made every heart warm, but when it was known that Patti was to sing" Hen Wlad fy Nhadau the excitement knew no bounds. All rose and joined in the chorus, and Madame Patti's version of it was adopted by all, "Wales, Wales, home, sweet home, is Wales." Louder and louder grew the voices, wilder and wilder grew the excitement a delirium seemed to have fallen on all, men and women frantically shouted and waved their hats. All seemed to have lost control over themselves. The scene was one that baffles description, and can only be realised by those who witnessed it. And, assuredly, those who saw it will never forget the scene. Madame Patti may have had enthusiastic welcomes elsewhere, but nowhere, we feel sure, has she received such a genuine out- burst of enthusiasm and love. Prominent amongst the proceedings on the third day (Thursday) was the ceremony of chair- ing the Bard-the successful Bard being "Dyfed" (the Rev. E. Rees, Cardiff), who, it was stated, had previously won nine chairs, four of them being at National Eisteddfodau. CHIEF CHORAL COMPETITION. The interest on Friday was centred in the chief choral competition, for which eight choirs entered, and seven actually competed, the total number of vocalists being 1,267. Thousands of people drawn from the great centres of South Wales flowed into the town, and hundreds of them were unable to obtain admission. Three compositions were selected as the test pieces :— Mendelssohn's Ye nations, offer to the Lord," in G minor Leslie's Lullaby of Life;" and Bryd hyn chwi feibion Duw" (" 'Twas then, ye Sons of God "), by D. Jenkins, the first prize being 2150, and the second JB50. The choirs competed in the following order:- Cardiff Choral Union (conducted by Mr Jacob Davies), Carmarthen United Choir (Mr C. Videon Harding), Dowlais Choral Society (Mr William Hughes, A.C.), Dowlais Harmonic Society (Mr Dan Davies), Llanelly Choral Society (Mr R. C. Jenkins, R.A.M.), Porth and Cymmer Society (Mr Taliesin Hopkins), and Rhondda Phil- harmonic Society (Mr D. T. Prosser), and after the competition was over great excitement was evinced in the result, the adjudication being loudly called for. Mr Turpin, one of the adjudicators, first addressed the meeting, going briefly over the chie; points in the singing of the choirs. The contest, he said, was the closest any of the adjudicators had taken part in. In the case of the first choir in Ye Nations," they found the parts in places weak the tenors slightly weak, the contralto in that choir-the Cardiff Choir- excellent, the soprano a very satisfactory part. The female chorus was admirable in every way. In the second piece the voices should have been unaccompanied. However, the conductor decided the matter in the interests of his choir. The intonation was not always perfect, but it was a fine performance. In the last chorus again the tenors were somewhat weak, the leads were good and the times of every piece was admirable, and admirably sustained. As to the second choir (Carmarthen), the choral Ye Nations was not altogether satisfactory, particularly in the bass part. The song Lullaby" involved a slight loss of pitch, through want of management of the breath, and, perhaps, through a sense of fatigue. In the third chorus, Ye Sons," Mr Jenkins' work, there was too much of what has been called by musicians sweeping to the notes, a fault choir-masters ought to take care to correct. The time was not faultless in this piece. In the third choir (the Dowlais Choral Society) there was a very spirited rendering, with an admirable sense of accentuation on the part of the conductor and choir. It was excellent from that point of eight, but the voices were somewhat forced. In the "Lullaby," perhaps, there was a want of good intonation at points. In Ye Sons" the female voices told with admirable effect. In the other, the Dowlais choir, the soprano and bass were excellent in "Ye Sons." In the "Lullaby" perhaps, there was too much pianoforte, it evidently having the task assigned to it of help- ing the choir. The chorus Ye Sons" was a very good, level performance. In the Llanelly Choral Society many of the passages in "Ye Sons of God were too forced the "Lullaby" was admirably rendered, but there was a little too much sentiment, and in the bass part they rather foreed:the pitch. There was a tendency to sing sharp, which the adjudicators had observed several times during these meetings. The Porth and Cymmer Society, in Ye Sons of God," gained enormously by the fact that the choir were wise enough fo sing the Welsh piece in the Welsh language (applause). The singing was very natural, and the tone admirable. The Lullaby was not so well understood, and the reading was not quite so refined nor so senti- mental as other readings, but, still, it was a very good performance. "Ye Sons" was a spirited rendering. In the Rhondda Choir the contralto part was felt to be somewhat weak in "Ye Sons of God." The" Lullaby" was a little too senti- mental here and there, but altogether it was an excellent performance. The chorus, Ye Sons," was excellent in every way. It was efficiently rendered and sung in admirably good time. Mr Jenkins, in delivering the adjudication, said the first choir (Cardiff) made a good start, but the tenors were rather weak. There was good tone and steady time. The only wrong note was made in the last page. The Lullaby started a little too fast, and the different voices were very clear, but not of as good a quality as some of the other choirs. In the case of No. 2 Choir (Carmarthen), the tenors were out of tune. The bass was the best part. They made a mistake on Page 1, which was to be attributed to the tenors. In the Lullaby they were to be praised for singing without accompaniment. They flattened in pitch as they proceeded. In Ye Sons of God a good start was made, but with a tendency to driving the voices were out of tune the last part sang better than the first. In No. 3 Choir (Dowlais Choral), in the singing of Ye Nations," the bass opened well, but went out of tune in Page 8. The sopranos on B flat were sweet; the fugue was in good time there was a tendency to drive, but the chorus was sung in good spirit. In the Lullaby there was some good points. In "Ye Sons of God the male voices were good and the fugue was clear. This was the best piece sung by this choir. No. 4 Choir (Dowlais Harmonic), made a good start and were very bright in Ye Sons of God," but the piano was sung as forte. There was an excellent quality of voices and a splendid grip of the chorus. The "Lullaby" was a very good rendering with sweet voices. In "Ye Nations" the bass started well, but a little sharp. The performance was a good rendering on the whola. No. 5 Choir (Llanelly), in Ye Sons of God was a little out of tune in starting in the male chorus, and they sharpened on Page 7 they got back on page 9, but sang seme wrong notes. In the" Lullaby" there was very good singing, the performance being one of the best. In Ye Nations" they sharpened again, this being caused by the bass they got back to tune in page 93, and went out again afterwards. No. 6 Choir (Porth), in Ye Sons of God made a good start, but the altos were the weakest in the choir. The pianissimo was sung too strongly. The tenors and bass were excellent, and the sing- ing very natural. The Lullaby was very good in the introduction, but the rendering was not as intelligent as that given by two or three other choirs. In "Ye Nations" there was good in- tonation, and natural singing; the points were clear, but the first part was too fast. No. 7 Choir (Rhondda), in Ye Sons of God showed excellent voices. The tenors were good, and the altos clear the piano parts were better done than the others, and excelled in colouring. The Lullaby was very good in intonation, and was a very sweet rendering. In "Ye Nations "the tenor and bass were good there was good in- tonation and the points were clear. They awarded the second prize to the Porth Choir, and the first to the last choir the Rhondda Philharmonic. LOCAL PRIZE WINNERS. Theory of music examination—Special prize, C. R. Brigstocke, Carmarthen. Tenor and bass duett, Lie Treigla'r Caveri -Messrs James Morgan and T. COil wil Evans, Carmarthen. Pianoforte solo, Andante and Rondo Capriccioso (Mcitdelssoltit) -Miss E. M. Rees, Carmarthen. Best stanza to Mr J. T. D. Llewelyn—Mr J. T. Job, Ammanford. Pianoforte solo (under 16 years of age), II Moto Continuo" (Weber)-Miss E. M. Rees, Carmarthen.

AMMANFORD NOTES.

SUNDAY SCHOOL ASSOCIATION…

LAWN TENNIS.

LLANDOVERY NOTES. ]

[No title]

LLANDOVERY PETTY SESSIONS.

CONVERSATION.

Advertising

-----..-..........----_--__--THE…

SOME WELSH CHARACTERISTICS.

LIGHT RAILWAYS iOR WALES.

WELSHMEN IN BRITTANY

HOW PEN DRAGON CLEARED THE…

[No title]