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Neu Wreichion Oddiar yr Eingion…

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Neu Wreichion Oddiar yr Eingion 1 By CADRAWD. The Antiquity of the H Cadair," or Gorsedd." There are among our modem professors of he Welsh language some who have the temerity to deny theatiquit7 of the ancient institution of the Chair, or Gocsedd," for the reason as they are wont to offer that the word does not appear in onr oldest Welsh manuscripts. Granting, for the sake of argument, that the word does not occur before the time of Meurig Dafydd, or Llywelyn Sion o Lan- gewydd, that does not make away with Hie fact that it appears in another fofm and if we take the trouble of looking through .the works of our poets, which unfortunately are not yet printed, but more accessible now than they have hitherto been, we find plenty of referecncs to the- ancient institution of Bardism —its ancient usages and institutions. For the same reason we have had critics of great ability and learning deny the antiquity of the ancient style of Welsh alphabet, known as Coelbren y Beirdd," because we have no real ancient specimen of poetry having been, carved on wood, ignoring the argument that wood is a perishable substance, and that a few hundred years of handling and inter- changing would wear them out of existence. We should also remember that the "Coel- bren was only invented to meet with an emergency in the hisory of the Welsh nation. when paper and writing materials were denied them and the use of sach prohibited by law. When paper w?s allowed, our scribes and chro- niclers, it is natural for us to believe, under- took to copy from the wooden staves which had been proved so perishable, into suitable folios, which remain in manuscript in jjneat quantity, as may be seen at the British Museum, Bodleian, the Cardiff Free Library, the National Lihcary of Wales, and in private; collections. Silence of the Past. We feel-rather disappointed when reading the productions of our ancient writers that tiiey nfcver expressly tell us with what kind of instrument they wrote, on what materials, with what ingredients they made their ink, how paper or parchment was made, how books {' were formed, or how our ancestors, Welsh or ^English, wrote 500 years ago. If it may be ^oQocted or inferred, it is omy from incidental expressions, never intended for suchapur- pose or information, and where there are no BfSS. remaining, we should be much at a loss, "perhaps unable to ascertain on what kind of 'material or substance they wrote. Parchment ^or-paper are not often mentioned, or if they ace, never so described as to convey such a -knowledge to posterity of them as would give l one who never saw either of them, or heard themdescribed, a tolerable idea of them. We :b1ow but very imperfectly on what substance, or how, the ancientGreek, Hebrew, Etruscans, wrote. Rituals are also but seldom if <e*er described the same may be said of most formalities, whether of religion, legislature, Judicature, &c.—at least, there were beyond a ;dcubt, a great number of things, operations, '4ec~, that have never been correctly if at all described— Bwyall arian Rhys Goch Eryri," Bwyall Llawdden," &c., ,8e expressions similar in figurative sense to our laurel crown. So is cadair arian," or simply cadair." There is also reference made by some of the poets to a cadair teur "-80 golden chair, and in reference to itnodes of operation, or honorary marks of distinction, or in reference to cutting in wood, &c.—Saer gwawd, Saer cerdd, Naddu gwawd, Naddu cerdd, Naddwawd, Naddiaith, and sometimes simply Nadd, are expressions "used to denote a poet or poetry, &c. These and similar figurative expressions of the same nature are all derived from modes and instruments of operation, used in the art of poetry, inscribing, using letters, &c. Stile in English is derived from the Roman instrument used in writing called stilus," which is similar to the Welsb bwyall," toe. Thus the term pen, pencil, See., intend the writer who uses them sword, sceptre, crown, throne signifies often the warrior, sovereign. &c., who fears, wears, or sits upon one or the ether. Lawn, mitre, crosier, Soc—, are used metaphorically for a bishop, See. There is an equal propriety in the terms M bwyall bardd," ih' naddai cerdd, saanio can," &c. as in the above Tingtish terms. They each of them refer to modes or instruments of operation, and fully proves what at one time such modes and instruments were, their use and purposes. Contained m tbeir-meaningmnch of the history of those sciences or arts wherein tney were used are good clues to lead us trp to the origin of such arts and sciences—gives us good views of the modes and forms wherein (bey first appeared or came into existence. Examples. Following are a few of the expressions we come across in the works of our most dis- tinguished ancient Welsh poets, which will Illustrate and confirm what we have already taid :— GWYDDFA. Disgybl glas wyd eisgwbl giod, Drist wvddfa plaid eisteddfod. (Ed. Prys}. Duw'n ei gofl, da iawn gyfiwr, Doe aeth ag ef, doetha gwr I Eisteddfod Grist a'i Wyddfa, Llys deg Hawn ewyllys da." (Ed. Prys). The word gwyddfa." in the above lines neans a place of presence, an eminence, where bardic meetings were held and distinctions conferred. CERDDLAN. Bwriaist ergydiaist godwm, Ben careg cymen i'r cwm Ni ddalli&wdd na chlawdd ychlan, Uwch harddlech mwy na cherddlan Ni*th ery na thy na thwr Na chan caer na choncwerwr." (Gutto'r Glyn i Syr Wm. Herbert). The "cerddlan" is the bardic circle, and Sir Wm. Herbert was a distinguished Welsh author, and we have the authority of Edward Daiydd o Fargam, in saying that Sir William Herbert was the writer of a good many of the Welsh Triads, and was instrumental in making a collection of these valuable relics of ancient Welsh history. There are in MS. aseries of Welsh Triads attributed to Sir Wm. Herbert called Saith Anghenyddol Daw," the seven attributes of God. Dr. T. Williams, in the-preface to his Diction- ary (Latin and Welsh)*, which was published by Dr. John Davies, of Ma.I1wyd.l632,refers to him when he had been created Earl of Pembroke as the Councillor of many Kings and Queens, that he was the eye of all Wales, and neter concealed his nationality; and even in the ocanpaay of the noblemen of the land in his day. was fond of referring to the Welsh and its literature and of quoting from its best and most celebrated authors, and was in the habit of improving those Welshmen who by their affectation were too fond of depreciating their language and the land of their birth, for he aid whosoever was ashamed of his father and mother, and his language, was not worthy of the care of a tender father and mother, or of the least respect of his countrymen. Dr. Williams mentions also the Earl of Worcester and Sir Edward Stradling, who were dis- tinguished Welsh-speaking Welshmen.

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