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^r;,» --MEW YEAH READINGS*…

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^r;, » MEW YEAH READINGS* EXTRACTS FfSOM THE ANNUALS. I THE PORTRAITS OF SHAKESPEARE J Of the portraits of Shakespeare only two are be-vo-TIL, 'question authentic, and these are dis- appointing. The print by Martin Droeshout, prefixed to the Folio, and vouched for as a like- ness by Ben Jonson, is a poor specimen of the work of a minor engraver. The bust over the grave at Stratford was doubtless executed by order of the poet's family; but it is the work not of a sculptor, but of a "maker of tombs," 'and it is believed that an accident to the nose resulted in making that salient member shorter and the upper lip proportionately longer. In othe-i respects, thesis two portraits, allowing for an obvious difference of age, axe strikingly alike. There are many painted portraits, but most ol them are obvious frauds. The one which has the longest and 'best-authenticated history is the Chandos-, now in the National Portrait Gallery in London. There seems to be no doubt that it cn-ce belonged to D'Avenant, who loudly proclaimed himself Shakespeare's-natural son. But, as is evident in an early photograph, which: shows it as faded and; cracked almost beyond- recognition, it has been completely repainted by the so-called restorer—when and by whom is not known. It differs radically from the print and the bust. The painting known as the Janssen portrait is artistically beautiful, but very different from the Droeshout print and the Stratford bust. If really painted by Janssen it was not done from life, for he did not come to England until after Shakespeare's death. The probability is that like the portrait it is a work of the imagination. The so-called1 Droeshout Original has lately been exploit-edlas that which the engraver copied in making his print for the Folio. All evidence points to the conclusion that it is a clumsy copy of the print. Of all the painted portraits the one which, has most claim to credit, and which is by all odds the most artistic and1 interesting, is the Ely Pialaoe portrait, now in the so-called. Birth- place at Stratford. That it dates from the early seventeenth century has not "be,en dis- puted. The inscription, "AE 39 X 1603," cor- responds to Shakespeare's age at that date; and though, in common with the lower wart, of the face, it has been slightly retouched, it is in the main apparently genuine. Though Komewhmt defective in drawing, it bears so strik- ing a resemblance to the Droeshout print as to suggest that it may have been the original. The sensitive beauty of the face, and the dreamy look in the eyes, appear very imper- fectly in photographs, which emphasise the crudities of the drawing.—John Corbin in the Christmas Number of "Munsey's Magazine."

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