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ITHE HOUSEHOLD. I

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THE HOUSEHOLD. I EOPLE tell me that footstools fire going out of fashion, and the statement is prob- ably true. Of course, those fearful mon- strosities, white silk dogs' heads embroi- dered on a back- ground of blne beads and surrounded by a frame-work of gold have long since de- parted from the pro- minent positions they once held on either side of the flittering: steel drawing-room fireplace. I fancy too that the lowness of the modern chair has something to do with the disappearance of the footstool it would indeed be difficult to use one when sitting in the average easy chair of to- day. Nevertheless there remain certain people who not only prefer a high chair, but when they are in it insist upon having a footstool; that they are not in their premiere junesse is very pro- bable, but we wish to show them all respect, and when they are near and dear to us we some- times welcome the fact that they care about a footstool with a sense of relief, for the wants of the elderly grow to be very few and far between, and year by year the selection of a gift which they can appreciate and use bacomes increasingly difficult. The footstool of which I give a sketch is one eminently suitable for a Christmas present, for it has a warm and comfortable look, and is very easy for the feet to rest upon. Quite a common tootstool can be purchased for a few pence. It should be fairly low and square in shape and covered with leather cloth at the top a square of fur should be laid, and concerning this it is difiicult to offer advice. It must not be more costly than thy purse can buy." Some A DESIRABLE FOOTSTOOL—WITH DETAILS OF I I'BTBROIDERR fine grey fox-far which is so frequently sued for the better makes of hearth-rugs serves well, but raugcon is more ornamental, softer to the fact, and not very expensive. The embroidery, the detail'of which is given, is worked on copper- coloured frieze in zephyr wool of various colours —leaf-green and blue for the tops of the leaves, copper colour in two shades, and bronze for the lower part of the design. When finished this em- broidery should be mounted on copper-coloured plush and tacked very firmly on to the ootstool. The loops of material seen at each corner are also of plush, and the points of the leaves of the em- broidery where it'nangs down are finished off with pompons, repeating the various shades of the wool. The other day I saw such a pretty sight. A little girl of about ten or eleven years old walked into the children's ward of a big hospital carry- ingon her arm a large basket. As she went from cot to cot, talking a little with each occupant, she left something which seemed to give unmitigated delight. When the little maid's basket with empty 1 made inquiry as to .what it had con- tained. I have been distributing my clothes- peg dollies," replied the youthful pniianthropist, and not qnite "comprehendiag I was dragged off and shown a most fascinating long-clothes baby doll, not a bit smart, but just one of those home made arrangements so dear to the childish heart, and upon which is bestowed a far greater wealth of affection than ever was the lot of the best French poupee. The foundation of these dollies is a penny spoon and a couple of clothespegs. The fape is drawn on the back of the spoon, and a round-ihaiDed head made out of a small bag stuffed full of bits torn up <j>ut of the rag-bag and glued firmly into the hollow of the spoon. Then the handle must be wrapped round with rags, which should be tied firmly on to the two clothes- pegs and fastened on the sides with tape tied round their nobs. I dress my hospital dollies," A CLOTHES-PEG DOLL. explained my little girl friend," in coloured flannel- ette, because they make such comfortable take- to-bed dolies, and they don't get crushed all up but, of course, a real, smart dollie ought to have tucked white clothes and a cloak as well as the little hoods I have to tie over their hea,ds to hide the bag on the back. You see they always have to be long-clothes dollies because they have got no legs." And I wonder if in any of the house- holds where this is read the cook will be puzzled to know what on earth has become of her clothes- peys ? I often think it is a pity that more distressed ladies" do not take up the art of mending broken china. and pottery. That there is a great deal of broken chii-izi in the world wanting mend- ing nobody will deny, and I feel certain that a house-to-house visitor who came and went at fixed times, leaving behind her such repairs as would be conducive to the healing of many family jars, would not only be welcome, but very well paid. I cannot, of course, enter into absolutely complete directions but take for instanee the dish broken in several pieces, all of which, how- ever, have been kept, shown in the illustration. The rims of the breakage have first to be cleaned, with spirits of wine, and then the nieces all joined together with either coaguline or china cement. The dish is then placed upright with two nails in front to prevent it slipping backwards. If, as is the case with some china, a difficulty is found in keeping the pieces in place, a sheet of paper can be pasted on the back of the dish and after- wards removed by wetting it with tepid water. REPAIRING BROKEN CHINA. I Small splinters that have been lost can be made up with plaster of Paris mixed with dextrine. This must be ground very fine and rather more applied than actually required, for it is likely to shrink. The surplus can be removed and the plaster smoothed and polished when thoroughly dry with emery paper. When a large piece is wanting it must be modelled in plaster of Paris and fixed in place either by pasting paper over the back or by using miniature clamps. The design should then be indicated in water colours. It is a mistake to use oils as they are apt to fade and then look unsightly. ETHEL.

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