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St. Asaph Guardians.

Carnarvon Guardians and Consumption.

ISt. Asaph (Denbigh) Rural…

Abergele Sparks.

IThe Chester Historical Pageant.

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I The Chester Historical Pageant. I SOME NOTES ON ITS EPISODES. BY AGXES HAYNES. Everyoae interested in Cheshire must per- force be interested in the coming Chester His- torical Pageant to be held July 18th to 23rd. For more than a year Cestrians had discussed the desirability of holding such a display be- fore ways and means to make it possible of accomplishment were decided upon. The gen- eral opinion, undoubtedly, was that the display must either be on a scale worthy of the city and its history or remain unattempted. Ample funds, capable persons to undertake the stress of re- sponsibility, and an enthusiastic body of will- ing workers, were essential to the success and as these have all been secured, and are daily being added to, just the good humour of the Clerk of the Weather and the response of the general public are the chief anxieties that re- main. The Pageant is to be divided into eight epi- sodes (or scenes) and an introduction. The Pageant will open by the entrance of the Band of the Royal Marine Guards, which will march to the bandstand. The chorus, composed of 100 men and 150 ladies in Pageant costume, next appears, singing as they proceed to their places. The first episode deals with the Roman oc- cupation, "Agricola's return to Deva after de- feating the Ordovinces, A.D. 78." The at- tempted assassination of Agricola by Carantus, a Briton who seeks to revenge Brica, his pro- mised bride, is the chief incident of this epis- ode. Agricola is shown as the just, unrevenge- ful judge, who seeks to subdue the Britons by policy equally with arms. The scene is laid in the Roman camp, where a great gathering of soldiers and camp followers is possible. Episode II. is placed in Saxon times, A.D. 973, and will show the rowing of King Edgar on the Dee by the Eight Tributary Princes, who submitted to this symbolism of their subjection. This will be a very gay scene, for the King and every Prince will have a retinue of attendants, and all the fairies, nymphs, and tritons of the Dee will again come before the spectators to mark the banks of the river and the water's flow. The third Episode is the founding of the Abbey of St. Werburgh, A.D. 1093. The Rev. -Canon Rupert Morris is the author. Here we have the meeting of Hugh Lupus, first Earl of Chester, and St. Anslem, who afterwards be- came Archbishop of Canterbury. Hugh Lupus was a nephew of William the Conqueror, and won his possessions by the sword, and for the victory was created Earl. Harry Braddeshaa here gives Hugh Lupus a character for much greater sanctity than Canon Morris does, who presents us with a rollicking warrior made fearful by illness of the conse- quences of past misdeeds. The scene will show the meeting of Hugh Lupus and St. Anslem, each with their retinue, the sombre monks contrasting with the gay, pleasure- loving laity of the Earl's train. From a point of history this is a very important Episode, for St. Werburgh is closely interwoven with the history and legendary lore of the city since the seventh century. The li Passyonary from which Harry Braddeshaa, of Chestre, monke," translated his Holy Lyfe and History of Saynt Werburge," traces her descent patern- ally from three kings—Wulfer, King of Mercia, her father Preda, King of Mercia, grandfather and Cryda, King of Mercia, great-grandfather. Maternally he traces her descent through four kings of Kent-Ercombert, Eadbald, Ethel- brycht, and Ermenryc, to Hengystus, fourth from Woden, who was the 15th from Noe, by Sem, the eldest son," a unique record to the days of the Flood. The holiness of her life from childhood to the grave, and practice of real charity, are the chief characteristics handed down to us. She was received as a nun at Ely. She was made prioress of Chester, and is still known as Protectress of the City because of the many miracles attributed to her intercession. She died A.D. 699, and was enshrined at Ches- ter A.D. 8iS, in what is now the Cathedral dedicated to SS. Peter and Paul. Thus it was that Hugh Lupus, A.D. 1093, chose her to be the saint of his abbey. The church that to-day bears her name is by the entrance to Grosvenor Park. Episode IV., written by Miss Beatrice Clay, B.A., and Miss Claribel Spurling, places before us the preaching of the third crusade by Arch- bishop Baldwin, A.D. 1189. The fervour of religion and of earthly love are here blended by the prominence given to Alison and Dickon, her archer lover, whilst the fair supplies the lighter vein. Episode V. is by the Rev. Canon Rupert Mor- ris, the visit of Prince Edward and Princess Eleanor to Chester, A.D. 1256. This Episode gives strong preponderance to the Welsh; it shows by different means the resentment of the welsh against the power of the English, just as Episode I. shows the resentment of the Britons against Roman power. Edward was the first rj °f Ch.ester 5 from his creation the earldom has remained a prerogative of royalty. The crowd through which the Prince and Princess pass is composed of Welsh and Eng- lish, with a plentiful sprinkling of Normans, and fealty is divided between Edward and Llewelyn. The Welsh in sullen resentment would make manifest their disloyalty, but Llew- elyn, with crafty statesmanship, commands their cheers for his rival, making easier the rebellion he led three months later. Episode VI., by Miss Beatrice Clay and Miss Caribel Spurling, shows Richard II. brought a prisoner to Chester, A.D. 1399; the incident is based on the narrative of a Gascon knight, the manuscript of whose narrative is preserved in the British Museum. Habited as a Grey Friar, and ill-mounted, Richard comes under the es- cort of the Earl of Northumberland and the Earl of Salisbury. Following are Bolingbroke, the Archbishop of Canterbury, Robert Legh, the High Sheriff of Chester, and their retinues. And of all the crowd that con- gregates only one friend, Peter Legh, dare pro. claim his allegiance to the fallen King. Episode VII., by Mr. A. E. Lovell" M.A., is the merriest of the Episodes. It is divided into two parts, the first dealing with the visit of King James the First to Chester, A.D. 1617, when he was received by the Mayor, Sheriffs, Snenffs Peers, and Council of the Citv, a hun- dred jacobins of gold being presented to him. Part II. deals with the Midsummer revels, which except during periods of Puritanical sup- pression, were for many centuries chief amongst the xestivities of Cheshire, being supported by the City Guilds. As an accepted part of the revels there were representatives of the four giants of the city, a unicorn, a dromedarye, a luce, a camel, an ass, a dragon, six hobby- horse, and painting of sixteen boys. These will all appear in the Pageant of 1910, together with Maypole dancers, morris dancers, elves, and fairies, reproducing a scene of gaiety of the past, yet not altogether disassociated with the village gaiety still retained in some parts of Cheshire and Lancashire. Episode VIII., by Mr J. Menteith Graham, deals with the seige of Chester and the visit of King Charles I., A.D. 1645. The Phoenix Tower, or King Charles' Tower, as it is alternatively called, which stands on the city walls, is to-

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North Wales Temperance Examination.

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The St. George's Steamship,…

IColwyn Bay Minister

IThe Chester Historical Pageant.