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8 "CRUCIFIXION" AT ST. ASAPH…

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8 "CRUCIFIXION" AT ST. ASAPH j CATHEDRAL. [jte usual evening service at St. Asapli heclral on Good Friday has been for a ,nd time dispensed with, a musical service its place and the crowded congregation l]ch filled the Cathedral that evening, to- with the devout and intelligent manner ^hich the people listened to and took part J^ service, must have perfectly satisfied the that his efforts to promote true worship fully appreciated. As there had been no eJiSong at the usual time, a somewhat short- ^form of that service was gone through, 'which the Dean, in a short address, re- 'n(ied his congregation that they had not etl>bled there to hear fine music, but for °Ut worship on the evening of the most j^n day of the year, namely, that which r^emorated the death of our Lord for all kind that the music was intended to jmt to their minds scenes and thoughts of L ^reen hill far away." He concluded by lri# his hearers, for the sake of unity in their ip, to stand only during the hymns^ which ,e to be sung by the congregation. For tun ■ for ourselves, we have not been asked to e ",de a musical criticism of the rendering of „ Crucifixion." but merely to give an ac- of the service as coming from one of the negation. Dr. Stainer calls his work ''A Ration on the sacred passion of the Holy Reiner," and to us it was such from begin- l8 to end. Much has been said, and by »th '^men t00' al30Ut uselessness of and such choir music as the Cruci- particularly in a service which is o osed to be congregational. Such prosaic "We apparently think that worship is lm- ,p llile on the part of a congregation unless ( 3re taking an audible part in it. Surely, L Noughts and feelings which are called j>3> while such music is attempting to in- Fet the meaning of the w"ords as only music f interpret them, cannot but be productive f £ »ct>K00d. h t,st year the cathedral choir were assisted L> choruses by a number of voluntary IF*, which must have greatly relieved the ^Oo^rV. ^ut- being devoid of such help on ft Friday, the lay clerks and choristers rose 0ccasion, and great credit is due to l» aii(l also to the organist, Mr LI. Lloyd, also choirmaster, for the excellent in which they :endered the soul- passion music of Dr. Stainer. Were tlie attempt to say something about each of praiseworthy movements of this cantata, fce b?uld scon be accusable of tautology, so (>re °nlv mention those parts which im- ^'atkd lls "if»t. In the solo, "Could ye not ^vit!l me-" Watkins interpreted fully It of pleading and of forsakenness blij. V'So exquisitely represented in the music; 6nxi]a httle further on we were almost forced to the vividness with which the render- tllc high priest's clothes was pourtrayed. tw- R'rand chorus, "Fling wide the gates," !CaUlnS immediately after the solemn march to teiJ?ry, fully revealed to us the impatience faooh te of the mob to hurry our Lord to His Ps„5' and at the same time His willingness to 0|L- ^r, endure and die." The adoration of iWf1?8 Kingship and sympathy with His ifret ings were next most touchingly inter- Mr Partington; and after the so l°ve(i the world," which was 'Stec* [ently sung by the Decain side, the con the P 0n joined in the singing of a Litany oi cL Assion, on their knees, and at the con- Pfav011 of it, spent a few minutes in silent an(i meditation. We now listened to •Paii 1?an3r considered to be the most enjoyable whole work. Never, to our mind jbv ^lvine love more completely pourtrayed ItL "u«ic than by the iexquisite rendering ol !bv ArUet» "So Thou liftest Thy divine petition, J^Iesjirs Wat kins and Williams Mr Lloyd s \pj PUIation of the pedals produced a most tb-,5 representation of the gathering gloom ol lui awful hour, and it needed no fanciful W ) to unravel the meaning of those lew Milnotes which described the darkness av,», came over all the earth it seemed to 0Proach like dense black clouds, and to settJe Us in sombre darkness. It was a musical i,- ttire—-strangely broken by the pitiful but om the cross, '•My God! My °rV w}ly hast Thou forsaken me V Wn rest, the part most worthy of mention tylf the chorus, The appeal of the crucified, frc comes to us as a most sorrowful entreaty «p11 tlie cross amid the frantic shouts or TJHUcify from those for whom the "awful Was paid." During the singing of the Bph ^rnn an offertory was made for the Choir H0l?ev°lent Fund, at'ter which the Dean pro- se,, J?ced the Benediction, which concluded a ftan C which will be long remembered by y as one of pleasure and spiritual profit.

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