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WELSH NONCONFORMITY AND MUSIC.

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BY D. EMLYN EVANS. WELSH NONCONFORMITY AND MUSIC. A short sketch of the history of congrega- tional music among the Nonconformists of Wales in general, and the CalvinLstic Metho- dists in particular," is the title of a brochure recently issued by Mr Thomas Thomas, Cardiff, and ni-st intended as evidence for the Commis- sion which is—or was—" painfully and labori- ously inquiring (in the words of Mr Lloy George) into Welsh Church matters. We pre- sume that the pamphlet is placed before the public by the aid of print, because of its being the best medium now actually or likely to be available. As it only professes to be a sketch, dealing particularly with only one of the leading Welsh denominations, an exhaustive treatment can hardly be expected but thanks are eertainly due to the author for undertaking the task ot bringing the material together, and thus pub- lishing the results although some few omis- sions and errors have to be noted, and which, though not of first importance in themselves, could be made a means) to discount the wtio-c under a hostile or unsympathetic cross-exam- ination. However, it was a. thankless task at best; and some there were who foresaw from the first that it would be one which would be useless to undertake unless the conditions were plainly stated; the Liries and limits clearly denned. To our thinking the history of congreg tional music in our country cannot be well divided into sections—cut up into so many BCctarial portions. Music is as free as the air 14 Bloweth where it listeth and sooner 01 later an anthem, a hymn-tune, or a chant. if it iis possessed of the divine power of song, will assert its sovereignty and work its way through. Some small, narrow spirits there may be who pin their faith and limit their affections in all things to what is done and recognised withm their own denomination but to the Christian Church generally among us, and to every mem- ber of it worth the counting, it matters no m that Ieaun Gwyllt.for instance, was a CorPti'> that Tanymarian, Ambrose Lloyd, and Joseph Parry were Sentors," and Owam Alaw a Churchman, than it does that Handel was a Gentile and Mendlessohn a Jew. Just abttie question is of no great interest, so is its dis- cussion of no practical utility. Ot course, the "sketch "is not limited to composers and authors with their compositions and writings, but has references also to the practical side ot the matter-singing classes, Cymaniaoedd Canu, bands of hope, &c. In the addendum we are presented with a table which gives the number of Festivals (i.e., Cymanfaoedd) held annually in various parts of North an South Wales—that is, among the Calvimstic Methodists. In this statement the writer has unwittingly put his foot in it, as the chair- man of the Commission would probably soon let him know. The number of festivals held every year throughout the country cannot be identically and invariably the same, although that is the exact reading of what is stated. In connection with this subject the ideal plan to follow, once a Commission prepared to con- duct its investigations in a fairly business-like and intelligible manner had formulated and Issued properly defined instructions, would be to appoint representative men who would Collect the necessary data, and who would assist some one authoritative person chosen for the purpose to prepare the case for Nonconformist music throughout the whole of Wales, This would naturally be limited to facts and partic- ulars directly connected with the point inves- tigated pious opinions and personal convic- tions, however tempting and plausible, to be rigidly excluded. From the Author of this sketch's point of view nothing can be ob- jected to in his concluding paragraph, which states :—" When we consider that the noble band of precentors and choir leaders of the past and present have laboured without pay, or expectation of worldly recognition, it is quite convincing that the highest musical culture is obtainable within the bounds of voluntary- ism, and without invoking the aid of a State Establishment; but we can imagine how the aforesaid chairman, and perhaps one or two of his fellow-Commissioners, would pounce upon such a declaration—apart from the cor- rectness or otherwise of its conclusions—as an unwarrantable incursion, an intrusion, into the domains of the Commissioners themselves. Nevertheless, and be certain matters as they may, we are indebted to Mr Thomas, as al- ready stated, for his labour of love, and for a very useful contribution to the little litera- ture hitherto published bearing upon this question. Some day the time of full statement will arrive, and when it comes not all the Com- missioners existing can hold back the facts— can hold back the true tale of what a religious community, rich in its associations, oppor- tunities, possessions and prestige, did not do for the music of the sanctuary; and what the poor and the needy, under countless disadvan- tages and difficulties, did do for the sacred cause among them. And for that event this « short sketch will not have been written vainly. Old Welsh Musical Srammars. We often hear of the limited amount of knowledge possessed by the old Welsh musi- cians, and the poor quality of what little work they accomplished but to anyone fairly con- versant with the conditions, the drawbacks under which they toiled, the wonder is not that they knew so little, and that their efforts were not of a high standard, but that they knPw anything of the art at all, and that their productions had any merit whatever-although we may say in passing that some of these said productions have had merit and stamina enough to last well nigh a hundred years, and that they are still flourishing. What these venerated musicians of the past have done in the way of elementary or theoretical instructionipossessesjmuch interest, as we think; and we have had lately placed in our hands two very interesting oldmusical grammars: the one by Gwilym Robert, entitled "Egwyddor Peroriaeth," and published m Llanrwst in 1835; and the other Asaph Bac £ » Zf *^tlPI1Jf the Fasged Gerddorol, by R. H- Prichard, Bala, and printed at Carmarthen, 1861. Fur- ther remarks, however, must be postponed, as the two volumes, though but small, are im- portant enough to command a more extended notice than can be given them at present.

PLEA OF GOOD SAMARITAN.

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