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OUT OF HARNESS TO PARIS. .

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OUT OF HARNESS TO PARIS. No. 2. Before quitting Oxford we desire to relate an anecdote which has an important bearing upon the rejection by the University of the ex-Chancellor of the Exchequer and the election of Mr. Gathorne Hardy. Two gownsmen entered one evening an inn where their faces were not unfamiliar, and acquainted the host that they had just made a bet of a bottle of port upon an event then pending.—But being in the mood for the wine at that moment, they begged to be allowed to drink the wager before hand, and as men of honour, whichever was the loser would of course do the right thing at the right time. Mine host needed no assur- ances, and produced the wine, which the young men seemed to partake of with peculiar relish. After many a hearty laugh the two rose to take their departure, but first one of them approached the landlord and said it was but right that he should be made acquainted with the nature of the wager that he might know when to apply for his money. "You know St. Mary's, the University Church F" "Perfectly." "Well/l have made a bet with my friend here that when the tower of St. Mary's falls it will fall to the East, and he on the contrary stakes that it will fall to the West.-Hfre are our cards and addresses, and until after the event we wish you good evening." Now it will be seen from the above authentic anecdote how deep and wide spread is the conviction in Oxford that the Church is in danger, and that we may look for its downfall within the present generation. The only question with Boniface is, as to which way it will fall, and what would be his position supposing it fell to the North or the South. But it is impossible to wean him from the conviction that Gladstones' claret and the downfall of the church are inseparably con- nected. From Oxford we go to London. The Count de Mont- alambert, having in his eye English freedom of thought, speech, and political action, as compared with what it is in France, tells us he goes to London for a bain de vie: -a bath of life. And the English provincial, however disposed he or she may be to rural beauty, country sociality, or the minor examples of power, wealth, and commercial greatness which our provincial towns afford in such abundance, will yet never fail to find in London a bath of life. It is impossible not to be galvanized by contact with that rushing stream of living force. Im- possible not to be borne unto sublime heights of loneliness when we mingle our drop with its greatocean of human- ity, never at rest. There is no city in the world like it for a display of force and of intense vitality, none for such mighty extremes of wordly fsrtmie connected by every grade and shade of social position. Nowhere such a countless variety of schemes, enterprises, pursuits, and schemers all pushing forward with ceaseless activity, and dwelling in a perfect concord of freedom. Such a population, living such a life, have given the metropolis its huge proportions, and impressed upon every quarter of it their independence, self-will, and detet- mination to manage their own affairs. If Paris is France on account of the weight of its political influ- ence, more than as a focus of French character-London is F England as a, microcosm of her national characteristics, and of her resistance to centralized domination. If the visitor to London, not so many years ago, took the serious precaution of making his will, before taking his seat in the coach, he should now with more reason make it before crossing Cheapside. Every effort to re. lieve the traffic of the streets has proved abortive. The underground railways only feed it, and high level rail. ways above the parapet would, we believe, have just the same effect. At present it is 1«>HH r L ia le8s dangerous to cross the Atlantic than to cross the Strand-and there is more risk to life in going from the Mansion House to Thread- needle-street than from during Cross to the Pyramids, e vc never gono to London for pleasure without i°nTone which V IftT lishman. I'»^«»tiafad.eddi8appointi?g, Bwe^horfd St^Cuduh* at RrnoJ^8111^^ 8race an(l homogeneity of St. Gudule at Brussels or that perfected ideal of Gothic and Mack ^1? towers might take high rank among ca^heials^We can forgive Wren everything when we survey the M"' Goldsmith touched nothing +w £ n°4. ad.°.rn> Wren touched nothing Gothic that he did not spoil It is the interior of thf Abbey that is so rich in architectural, archaeological, and his- torical interest. The appearance of the nave from the cross of the transept is unrivalled in its impression of loftiness, richness, and solemnity. It is not really so lofty or so rich as many another but by reason of con- tracted width, slenderness of column, and rapid and continuous repetition of the parts, this effect is pro- duced most triumphantly. A French visitor, who hap- pened to enter with ourselves, burst into an exclama- tion as this view opened upon him. Why do not his countrymen more frequently reciprocate our assiduous attentions to Notre Dame de Paris? There are no 8UCh monuments to detain them there. But West- minster is crammed with thp j "esi rials of illustrious rjffhV* TT • he wiU see nothing life to"?st n0S' • "SS..? SSSSff with the saInts; ill France he will find very few monu- zs? St-but the r,k Care of ^usseau, Voltaire, and s great military servicS""118114 mvariablF rewarded theil^stn^stnd^hTworthv Sathered1,to^thor tional and S5 r>Ta -«rhr™Citteymw?an? aljb,8te° bXon Pthe country, and evfry fore?^ wUhTespfc?^ A^piefes^f cen ^r.TflS6 ^™ents eSng iKh?l. j XS ttiste™rrcSSe;le°C6w < too practical to tolerate alia We have become quently the sculptor ha^no^f015* .lonSer> fnse" sitting figure of Watt, or a U3 a frT ford, and so on. 8tlff standlng o £ Tel" If the spectator wislitis fn « « the modern age paying homn ^Smgular instance of vice versa, let hiVlool fnd which has been erected in the ^S' T meeting with some picture of a sain • °f i a penny roll to a poor man aher^^T i glvmg little charity in those days wW USt haveJieen, vcr>' con-pired to embalm such acH^ pam,tersJ""1 *culPtors f shrine tbem\ we meet ^ona and cathedrals to en- Britannia tubular bridge, tho v-3* • U3Ue St. Lawrence, and the Hieh LPV- e We have, in fact, adorned the Ihv" gG a™ s to the tpirit and power of thn -> a P respect serving the memory of Robert 0 0 00 a" t Now, would it not be :^enson. hills, when they find th^selv^ T mm?'s from *he into the Abbey, if only to Il tl-111 ,e "reat clt> to steP of a collier—the father even 1 memonal to the son And then among the tombs than '^rs?n- ironworkers might notice wik • chaPels- our Welah round the tomb of Queen Eli. lnterest the iron screen first Prince of Wales. leanor, 1280, who bore the 1 Since we are bound for pari„ .„ for us to look at the headll Wl11 be ^terestinc; monarch who entered Paris in un English as Eegent. Henry Y., and ru led there battle of Agincourt, has lost i+r •os') bis bea of the Abbey. It was douUl iT00 m the 'iuieiude his cool, clear intellect that ht commemorate his statue a head of solid silver jL^TnerH gav-e to hls ner of memorialising his ahj^5 thl\lmPre^ive fan- much for an ardent admirer »>, g laities proved too quite a melting mood, bore It *™ght thereby mto Let the visitor note that th| ^ce: f and the sail on the .iver between London Bridge and Westminster, present him wirh Lond"n Brld?e and superior to anything in their it 8Pectacles unllke and Paris, and we may add any oty g^ndeur that has been our grumbling Enell ^7-. can boast of. It Houses of Parliament, but althT 'ashion to decry the the perpendicular rather than «!g We 111 a? re-ret that was chosen, yet the boldness of t? earIy English st3'le for the insigni'icance of detail towers compensates ing, and as a whole, interior and °dy/if th/ bui^" greatest Gothic monument in the ™1' 7 formthe Let us just step into St TT „r, magnificent vestibule to the twr,8 TT What a either side the distinguished Lorria Uj6r. 6 0Ii past years confront each other P;+ an 0 and we speculate how difficult it ? the day be far distant^ to decidewhethpr-n^^r6^ ^placed confronting The corridor to the left leads to the Commons, and contains frescoes by Ward; that to the right leads to the Lords, and is lined with frescoes by O pe Ward's frescoes are, unhappily, a complete wreck; the mint has literally peeled off. Cope's. on the contrary, which were painted m the water-glass method, stand Veil, and are ay-tt an 1 historical pictures P H Say W^at contrast, both in subject. T ri,lf n ^ain bLa shali "ee at Versailles. The (]pnarfi^ ou^ for the relief of Glou- ^ster-the departure of the Pilgrim Father from Deltt Haven,—the expulsion of tbe heads o( coileges at Gx. ford for non-submission to the Pa,liament,—these are some of the subjects in which Mr. Cope has displayed his genius and his mastery over the dry and stubborn ma'erials of the iresco painter. Tlie visitor sTaovdd "by all means* see tbe noble fresco Gf Herberts, in a. committee-room, adjoining. Lord. Redfesdale was presiding over a committee on some rail- way bill, so that by good fortune the doors were open to us but we doubt not admission can be had on Satur- days, when the House of Lords is open. This magnifi- cent picture completely fills one entire wall of the spacious room; and every resource of art has been re- sorted to to convey to our minds an impression of the expanse of the desert of Sinai-the sky full of light, the rocks evidently studied from nature, and sharp in the vapourless atmosphere. In the distance, thousands of minute figures depict the hosts of Israel engaged in their idolatrous defection, while the figure of the great Legislator occupies the foreground-grasping the table of the law, and receiving the homage of astonished groups of men, women, and children, who-observe the unearthly light about his face. Since we shall be certain to look at a great many pic- tures in France because they are French, it cannot be unreasonable for us to step into the Academy to see some pictures because they are English. At the base of Nelson's column we observe the lions of Landseer, lately placed there. The painter has car- ried into sculpture the same breadth of treatment which characterises bis masterly brush; but he very frequently quite over does it. In order to give some shape to these paws, and something like detail to these manes, Land- seer should have gone to see the iron lions in the Prus- sian department of the Exhibition. We must not detain the reader at the Academy Ex- hibition, as we shall have occasion to speak of English Art when we'get to the Champ de Mars, but we would just say that in landscape, Cooke, Hooke, and Cole sus- tain their reputations, which the Linnels fail to do; and in figure subjects, Goodall, Frith, Elmore, Nicol, and Fard continue great, while Millais and Leighton have declined. In animals, Ansdell is quite superior to Landseer, and many other younger men are tripping on his heels. But that consummate realistic painter, Brett, has sur- passed his many triumphs in landscape, by a painting of the sea, altogether wonderful. As a name, he gives us simply the latitude and longitude of the spot in the Irish channel in which, from a yacht chartered and manned by himself and brother, it was studied and painted. Whoever has watched a rainbow spanning the sea, one end losing itself in the warm rain clouds, that are clear- ing off in the afternoon sun, will here see such a sight again. Whoever has watched the waves that crest and let fall the churned foam into their troughs, lifting up their peaks again, with the foam flakes clinging to their sides, like snow upon Alpine summits, this repeating endlessly as they career before the wind, their lifted sides channelled and rippled by miniature storms super- posed by sudden gusts-whoever has watched the pre- cise form and colour of such a channel sea under such a sky, will see it here again. Next week we shall be watching the English channel as we cross from Newhaven to Dieppe. N. A. H.

CARDIFF BOARD OF GUARDIANS.

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