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WELSHMEN: A SKETCH OF THEIR HISTORY FROM EARLIEST TIMES TO THE DEATH OF LLYWELYN. By THOMAS STEPHENS, B.A., F.R.G.S. CHAPTER XXX. MUSIC. The Welsh people havo from earliest times been distinguished for their love of music. Long before Caesar landed, so tradition has it, a king of Britain in the second i century B.C. was so celebrated a musician and harpist that he sometimes was called the God of Harmony" by his neighbours. Diodorus Siculus, writing about 45 B.C., Bays: Britons have poets who sing melodious songs, whom they call bards, who, by their musical instruments, resembling lyres, chant forth the praises and the censures of others." During the Roman occupation, doubtless, the arts would be cultivated, and there is reason to believe that numbers of Welshmen became highly skilled in music. When the Romans left and the flood of Saxon heathenism covered the land, it became difficult to give much attention to the musical art. We find, however, from the early poems, that the cerddorion (musicians) held a high position in the civilisation of the Welsh as far back as the seventh century. Hywel Dda, in the tenth century, gives prominence to the Pencerdd, or Doctor of Music. How early that distinctly Welsh institution, the Eisteddfod, began jto exercise a refining influence on the Welsh it is impossible to say with any degree of certainty. We know that in the twelfth century Gruffydd ab Cynan held an Eisteddfod at Caerwys, for the purpose of regulating minstrelsy, whither travelled all the musicians of Wales." There came competitors from England and Scotland also: At that time the Welsh greatly disliked the bagpipe, which Gruffydd (from his Irish training) rather favoured. The prize for the best playing of the pipe went to a Scot. The Welshman's contempt for this instrument is well expressed in a. satirical poem by LewysTxlyn Cothi, translated by Mrs. Llewelyn, in Stephens's —■ A man like others formed by God, On Sunday morning last I trod The streets of Flint; an ill-built maze— I wish the whole were in a blaze! An English marriage feast was there, Which, like all English feasts, was spare. Nought there revealed our mountain land, The generous heart—the liberal hand— No hirlas there was passed around With richly foaming mead high crowned. The reason why I thither came Was something for my art to claim— An art that oft from prince and lord Had won its just, its due reward. With lips inspired I then began To sing an ode to this mean clan: Rudely thev mocked my song and me, And loathed my oft-praised minstrelsy. Alas! that through my cherished art Boors should distress and wound my heart. ¡ Fool that I was to think the muse Could charm corn-dealers—knavish Jews; My polished ode, forsooth, they hissed, t And I midst laughter was dismissed. i? or William Beisir's bag they bawl, Laigess for him!" they loudly squall; Each roared with throat at widest stretch For Will the Piper—low-born wretch! Will forward steps as best he can, Unlike a free, ennobled man A pliant bag 'tween arm and chest. While limning on, he tightly prest. He stares—he strives the bag to sound; He swells his maw, and ogles round; ■. He twists and turns himself about, With fetid breath his cheeks swell out. What savage boors! His hideous claws And glutton's skin win their applause! With shuffling hand and clumsy mien -V To doff his cloak he next is seen: He snorted; bridled in his face, s And bent it down with much grimace;' Like to a kite he seemed that day— A kite, when feathering of his prey! The churl did blow a grating shnek. The bag did swell, and harshly squeak, As does a goose from nightmare crying, Or dog. crushed by a chest, when dying; This whistling box's changeless note • Is forced from turgid veins and throat; Its sound is like a crane s harsh moan, Or lute a gosling's latest groan; Just such a noise a wounded goat tSends from her hoarse and gurgling throat. His unattractive screeching lay Being ended, William sought for pay; Some fees he had from this mean band, But largess from no noble hand Some pence were offered by a few, Others gave little halfpence, too. Unheeded by this shabby band, I left their feast with empty hand. A dire mischance I wish indeed On slavish Flint and its mean breed; Oh! may its furnace be the place Which thev and Piper Will may grace! For their ill luck my prayer be told. My curses on them, young and old! I ne'er again will venture there; May "death all further visits spare! THE HARP. The great influence of Gruffydd ab Cynan secured a temporary place for the pipe in Wales, but gradually, however, it disappeared, and the Welshmen played only their favourite harp. List to the harp with tuned string— It sets the soul to dance and sing; When this is touched with saintly hand, We hear the songs of the better land. Both man and angel when they hear This harp's sweet tones must shed a tear. Now lightly o'er the strings they pass, Like wings that gently brush the nlying grass, And melting airs arise at their command; And now laborious, with a weighty hand, They sink into the chords with solemn pace, And give the swelling tones a manly grace. From the bright harmonic string Many a tone of rapture bring. And to Snowdon waft on high An hour of tuneful ecstacy. According to the Triads, there were three things which a man ought to have in his home—a virtuous wife, his cushion in his chair, and his harp in tune. GIRALDUS. Giraldus Cambrensis describes Welsh music in the twelfth century thus: —" The strangers, who arrived in the morning, were entertained until evening with the conversa- tion of young women and with the music of the harp; for in this country (Wales) almost every house was provided with both. Hence we may rea&onably conclude that the people were not much inclined to jealousy. Such an influence had the habit of music on their minds and its fascinating powers that in every family, or in every tribe, they esteemed skill in playing on the harp beyond any kind « £ learning." EISTEDDFODAU. Canuloe's Chronicle contains a record of two famous Eisteddfods in South Wales in the twelfth century—one, in 1107, in Cardigan Castle, and the other, in 1135, in Ystrad Towi. His account of the former is as follows: — Cadwgan ab Bleddyn, prince of South Wales, had a great feast in Cardigan Castle during me Christmas holidays, to which he invited the princes and chieftains of all parts of Wales, and, by way of showing every respect to his guests, he invited the best bards, singers, and musicians in all Wales, and set rk-'rs for them, and instituted contests between the r g the practice at the feasts of King Arthur. An ), p, given them laws and privileges and honourable gift" all departed for their respective homes. And (i, c vho had been there returned laden with honours." The same o:cr records the Ystrad Tywi Eisteddfod (1135 After recovering his lands, Gruffydd ab Rhys -vl brge feast prepared in Ystrad Tywi, whither he it to come in peace from North Wales, Powys, SoutL Glamorgan, and the Marches. And he prepared evt- .hat was good in meat and! drink, wise conversations, songs, and music, and welcomed all poets and musicians, and instituted various plays, illusions, and appearances, and manly exercises. And to that feast there came Gruffydd ab Cynan and his sons, and many chieftains of various parts of Wales; and the feast was kept up for forty days, when all were allowed to depart, and the bards, musicians, and learned men, and performers of every sort were honourably rewarded." "After the feast Gruffydd ab Rhys invited the wiso men and scholars, and, consulting them, instituted rule and law on every person within his dominions, and fixed a court in every cantrev, and an inferior court in every commot. Gruffydd ab Cynan did the same thing in North Wales, and the Normans and Saxons, sorry to see this, made complaint against these princes to Stephen, who, stating that he knew not where the blame lay, declined to interfere." In 1177 a great feast was held in Cardigan, which is recorded in Caradoc thus —" And the Lord Rhys made a great feast in the Castle of Cardigan, when he instituted two species of contests—one between bards and poets, and another between harpists, pipers, and those who played upon the Crwth. There were also vocal contests. And he placed two chairs for the successful competitors, whom he enriched with honourable gifts. And it appeared that in the contest the bards of North Wales got the prize for poetry, while the young man belonging to Rhys's own household was adiudged to have excelled in the powers of harmony. The others were liberally rewarded, so that no one went away with any cause of complaint. And this feast was announced a full year before it took place, in Wales, England, Scotland, and Ireland, and many other countries." One more quotation from Giraldus Cambrensis will show that the Welsh were cultivating part-singing as early as the twelfth century —" They do not sing in unison, like the inhabitants of other countries, but in different parts, so that in a company of singers, which one frequently meets with in Wales, as many different parts are heard as there are performers, who at length unite with organic melody in one consonance and the soft sweetness of B. Their children from their infancy sing in the same manner."

CHAPTER XXXI.

I1 PENRHYN DISPUTE. .

ALLEGED INTIMIDATION, -

THE T.V.R. STRIKE.

WAR OFFICE JAM.

WAR MINISTERS BOTTLE OF WHISKY.

WILL OF MR. EDWARD J. LOWE.

THE PEER AND 1HE BABY.

::---NATIONAL EISTEDDFOD MEDAL.

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