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QUIDA'S NEW TALE. .
QUIDA'S NEW TALE. OTHMAE. .\1 CHAPTER XLII.—(CONTINUED.) When night fell he took her with him to the Theatre Francis; not for the first time. It was the night of a premiere (new play) of a great dramatist. The house was filled with the choicest critics of Paris; the most famous actors occupied the classic stage. Behind the grating of the hidden box to which he led her she could see without being seen. Before this she had been only taken to rehearsals in the daytime; she had never seen a great theatre in the full blaze of one of its gala nights. It blinded and oppressed her. She longed for the coolness, for the shadows, for the dewy still. ness of the country. The pungent scents, the blazing lights, the multitude of faces, the hum of voices, made her afraid; afraid as she had not been all alone in the hours of night adrift in her boat on the sea. Watch and listen and learn," said Rosselin. "You may be on this stage one day, or on none." She did not reply: the new play had begun; the most famous players in Paris acted with that exquisite grace and ease which characterise them the play was witty and brilliant; each scene had its separate success, each phrase its separate charm. Rosselin himself, vividly interested and keenly cri- :ical, gave all his attention to the stage, and for the Lime forgot bis companion. When the curtain fell apon the first act he turned to speak to her; he was startled to see that her face was pale as death, and her eyes, wide open and fascinated, were fastened on the opposite side of the house. He looked where she was looking, and saw a great, lady with a bouquet of orchids lying on the cushion before her, and several gentlemen in her box behind her. "Ah, Madame Nadine! murmured Rosselin. "She does not often deign to honour a first night, even when it is Sardou's. She is going to some great ball afterwards, I suppose, for look at her diamonds, and she has her Russian orders on. Voila une veritable grande dame." (Truly a genuine grand lady.) Damaris gazed at her without a wurd; her eyes were strained, her very lips were pale, she breathed quickly and painfully, the theatre seemed to circle- round and round her, and across its intense light of all the many faces there she saw but this one. When the second act began she had no ears for it, and no consciousness of what was said or done in it. She never once looked at the stage. Her eyes remained rivetted on the wife of Othmar; the voices of the actors were a mere dull babble to her; when the audience laughed she knew not why they laughed; when they applauded she had no knowledge why they did so; all sho saw was that delicate, colourless beauty on the other side of the bouse with the great jewels shining on it like stars. She looked, and looked, and looked till her eyes Bwam and her heart grew sick. This was the woman whom he loved, this great lady leaning there with that look of utter indiffe- rence on her face, with that slight smile 83 this man or the other entered her box, with the diamonds shining in the whiteness of her breast, with her uncovered shoulders gleaming white as snow; a hothouse flower in all the rarity, the langour, the perfection, which the hothouse gives. The same sense which had come to her in the drawing-rooms of St. Pharamond came again to the child: a sense of rudeness, ot rusticity, of inferiority, of coarseness in herself as contrasted with that patrician elegance, that pale and languid loveliness, that marvellous charm of the world and of its highest form of culture. What can I look like to him!" she thought, with humiliation. Beside her I muet seem to him like some rude peasant All that she had felt vaguely before the mirrors of St. Pharamond came back upon her, embittered, intensified, made conscious. She realised the immense distance that there was between her and Othmar as she saw his wife. She realised the grace and splendour of this life in the world which they led. She realised the passion which he had given to her. She realised that she hers- If could only stand outside his life, like a beggar outside his gates. When the curtain fell again, Rosselin looked at her with impatience. You looked at that woman always, never at the stage." he said angrily. She is a great lady leagues above you, leagues beyond you you have nothing in common with her. But one day you may force her to hear you in this very house, if you choose. Will you choose jI" She will not care," said Damaris. Tears were standing in her eyes; the sense of an infinite loneliness and of a great inferiority was OE her. What would it matter if she ever became famous vonder on those classic boards? That great lady would come and see her for an hour— smile or censure—then forget. The dreams which she had nurtured of compelling the admiration of the world seemed to dissolve like a mirage before the mere presence of Othmar's wife. "She would not care," she said wearily. To this patrician she would always be a half- barbarian and uncultured creature. The heart of the child asked with longing to go back to her old life in the sunny air by the blue water, with the homely people, with the simple wants, with the sound of the birds in the leaves, and the feel of the wind on the sea. But she knew that never could she go back so any more. If her feet were to travel thither her soul would 5 Of, go. The passion of the world, the aims of ambition, the heart-sickness of jealousy and desire were all in her; where they have passed the soul is for ever a stranger to peace, even as where fire has burnt the soil of a green field grass will grow no more. Why did she not let me alone?" she thought. Betweenthe second and the third acts Rosselin left her to go to the fover, where he had been for so many years so conspicuous a figure and so dreaded a critic. "Fasten the door after me, and if a thousand people should knock,let uo one in until you hear nay voice," he said to her, drawing the door behind him. Left to herself she drew back into the deepest, shadow of the little den she occupied, and gazed as ahe would at the woman who ha.d been destiny to her. She saw numerous gentlemen come and go in her box, make their reference to her, linger, if ihey were permitted, or withdraw and give place to others. Nadine had changed her position so that aer profile only was now turned towards the house. She leaned her elbow on the cushion, and her cheek on her hand, a butterfly of emeralds sparkled Under her shoulder; sometimes her face was hidden by the fan of white ostrich feathers, some- times she furled the fan and let it lie unused beside Lbo orchids. Damaris watched her with the strange fascina- tion of fear and wonder, of hatred and admiration, which had moved her in the salons of St. Phara- mond. All the words which Othmar had spoken a few days before were sounding in her ears. Her Simple and candid thoughts were beginning to gain something of the complexity, of the weari- ness, of the pain of his. She understood why he had loved this woman so much that, empty though his heart might be, it would remain untenanted. Innocent as Mignon, she yet watched her rival with something of the passion of Adrienne Lecouvreur. She is his he is hers—and she does not care!" thought the child, in whom the ignorance of childhood still lingered, blent with the awakening strength and heat of a tropical nature. As the curtain rose for the third act Othmar himself entered his Vvife's box. Damaris shrank farther and farther back against the wall, though the knew well that the keenest eyes could not find her out in her obscurity. Her breath came hard "nd fast like a panting hare's; the great tears rose to her eYbs; she suddenly realised what this world was which held him so closely. She saw his wife give him the same slight smile that she gave to others; no more. She saw him bend before her with the same low bow the others gave; she saw him converse with the gentlemen near him from time to time he glanced round the house. Once or twice his wife turned her head and spoke to him as she spoke to the others. To this child, who had the heart of Juliet, the soul of Heloise, the conven- tionalities of the world seemed like the frost of death. She is his; he is hers—and she does not care That was all she could think of as she watched them across that sea of light. The wit of the play Unused him, and Othmar looked less weary and more animated than usual. To her he appeared happy. Rosselin called thrice to her through the door before she heard him and let him enter. You should not dream like that when you are at the Fran9:11s. You should study. What more J admirable lessons can you have?" he said angrily. "Poets may dream if they like. They speak best in their trances. Those who would only interpret them must never dare to do so. Have I not told You so a score of times ? There is nothing poetic about the stage; it is all hard, prosaic, literal. If Tou will dream go and bury yourself under green leaves, under yellow corn; do not come to the theatres of the world." Damaris for once did not even hear him. He lOoked across the house and saw Othmar. Come," he said to her, you will miss the last train that pauses at Trappes if you do not come away now. Never will they forgive me for leaving before the close But that will not matter much. They know I am old; they can think I am ill. Come, or you will be too late." Wait a little," said Damaris, in a shamed, bushed voice; her face grew red as she spoke. Rosselin glanced impatiently at the box on the ftther side of the house. He said nothing; he waited, Artiste as he was in all the fibres of his nature his syea and his ears and his art were all with Got, With the Coquelins, with the moving and speaking persons of the stage: yet a. little corner of his •teart ached still for the child. What wretchedness 8he prepares for herself!" e thought with pity and sorrow combined. she 11l never be a great artiste, because with her feel- Ing will always take the mastery. You are only a £ reat artiste if when you suffer, though you suffer horribly, you can study what you feel, you can ^ake your own heart strings into a lyre. If you nnot do that, you are only a creature that loves pother. Ah, my dear! No one ever conquered world so!" » fie let her alone until the piece was over; the 7°* of the Countess Othmar had been vacated 1I0111e moments before the termination of the last t. He did not speak to her whilst he hurried through private passages and into the frosty the streets.. Cover yourself well; it is cold," was all he said "8 took'her with gentle steps over the pavement mch jeet jja(j trodden so many thousands of in the hurry of youth, in the ecstasy of triumph, in all the alternations of a manh )od tossed up and down upon the stormy seaoi of public favour and of public caprice. All that net- work of streets about the Français was as dear to him as the banks of Doun to Burns, as the green wood and ways of Milly to Lamartine, as the sweet meads and streams of Penshurst to Philip Sydney. Damaris walked on beside him, her head bent, her face covered. The tears were rolling slowly down her cheeks. Let me do what I would," she thought, she would not care." Rosselin took her home to his own little house that night, for it was too late to return to Les Hameaux. He made her seat herself by his fire; he dried the damp of the night on her hair and her clothes; he would have her eat of his preserved nectarines and drink of his choice wines which were sent by his friends. But she would not touch anything. She sat lost in thought. All she saw was that beautiful woman all she heard was the voice of Othmar saying, I have so loved her that I shall never love any other woman ever again." No doubt it was so she could understand. Only he seemed to go away from her, herself, utterly and for ever; to glide out of her life as the ships she had used to watch from her balcony, as the nightingales sang under the moon, used to pass away further and further, till the great distance and the shadows of night swallowed them up and they were no more seen. and all the wide sea was empty. Rosselin watched her sadly. Poor Mignon," ho thought. Who shall trans- form her to a Mademoiselle Mars ? How does the gymnast teach his child to stand and catch the metal ball, to tread and hold the rope in air. He works and kneads the tender flesh till it grows hard, he strains the soft limbs till they become like steel, he bends and twists and forces and forges the immature sinews and tendons till they are like cords to resist, and in every separate muscle there almost seems a separate brain. When their nature has been driven out and the body has become an iron machine the teacher has succeeded. Who shall do for her mind and her heart what the gym- nast does to his son's limbs and spine ? And will ever anybody do it ? Will she ever be Mars—be Rachel ? Will he ever fling her soul away and keep only her body and her brain? And if she do not do that what success will she ever have ?" In that kind of cruelty with which the true artiste would always emulate any living thing to art, he almost wished that Othmar were a man with less honour and less compassion, more licence and more seltishness. "If he would break her heart and rouse her hatred, how much art would gain," he thought. She would pass through the fire like Goethe's dancing girl, and come out of it immortal." He knew the weakness of love, and he knew the strength of genius. Listen to me," he said, as the wood fire gleamed and murmured. •' You dream too much of Othmar. I understand he was your saviour he is your hero, your saint, your god all that is inevi- table, and he is a man whom women will always love, because he has a great grace and gentleness about him, and his discontent and sadness are in picturesque contrast with his magnificent and enviable fortunes. But he will never love you, my child; just because he has so loved that woman that his heart has grown cloyed, yet cold because great passions always leave that kind of satiety behind them. And then the world holds him, a hundred thousand invisible threads bind him if he had the heart left for it, which he has not, he would not have the time to turn back his life is fixed, such as it is, and he and the world are wedded together, though it may not be the spouse he would have chosen. Do not either live for him or die for him. What will she say if you do either? That you are a love-sick fool. I "do not talk to you as moralists would talk, because I do not believe in conventional morality; it is an absurdity, like all conventional things. No doubt your old friend Melville would speak much better than I do, but I speak honestly, and according to my lights. You have wished, and the wish has seemed to me natural, to compel recognition of your own powers from the person who first caused you to leave the happy obscurity of your life. You have said that you wish her to see you can have a greatness she has not. It is a personal motive, and art is best served by impersonal motives. Still, it seems to me natural; I can understand it. But to do this you must be strong, you must be bold, you must be true to yourself, you must not be overcome because you see her looking like the groat lady she is. There is only one thing which the wife of Othmar respects, it is genius; she respects that because her intellect appreciates, and her gold cannot buy, it. Prove to her that it is in you, and she will respect you. If you died for her lord to-morrow, she would only say that you had forgotten you were not upon the stage. I seem to speak harshly and roughly. Ah, my dear, my heart is neither but I wish to save you from your own heart if I can. You are all alone, and you are scarcely more than a child, and the world, the world, is a beast. She did not answer; her head was bent down on her arms, and her face was hidden all he could see was the hot flush on the ivory of her throat, and the curling hair, which was made golden by the ruddy light from the leaping flames. All her dreams and aspirations and ambitions seemed all huddled together, bruised and colour- less, like a heap of child's toys broken and faded. She would not care that was all she thought. If the world were to give her fame, what would the best that she could ever reach seem to the unreachable disdain of that other woman ? No more than the gleam of a glow-worm may seem to the planet on high. A rude, sun-browned wench pf the sea and the land, good to row through blue water and mow down green billows of grass: that was all she would ever seem to Othmar's wife. Tell me what you wish," she said in a low tone. If I can I will do it." The voice of Rosselin shook a little as he answered, My child, I want you to do what she cannot. These people have all things; they have ease and mirth, and soft beds, and mirids without care, and great riches, and great palaceB, and great powers, but there are two things which often cscape them, and ofttimes the poor have the one and now and then they are born to the other I mean that great consoler of the humble, content, and that great redresser of injustice," genius. You have it. In your seagull's nest the muses found you. Oh, child, be grateful! You are richer than the kings who ruled hero in Paris— if only you knew your riches She looked up at him suddenly, pushing her troubled curls out of her eyes. "If I spoke before her my throat would dry up —my voice would be strangled in it. If I were to do well, she would never care. If I were to fail, she would smile. I should see her smile in my grave. He loves her, you know, he loves her so much. but she has made his heart numb in him with the frost of her indifference and her scorn." He was awed and amazed at such intensity of dread in a nature which had always seemed to him bold as the winds, and resolute, and head- strong. Yes," he said, almost brutally. If you fail she will smile, she will laugh she knows nothing of failure. But you will not fail. Only the weak fail. You are strong. You will not let that woman think that you threw away your genius for love of her lord! They were words which were hard and rough and brutal; but they seemed to him the wisest words that he could speak. She was a child with a passionate heart half broken unless that heart were torn out and trodden under her foot he thought that she would never walk straight to where the laurels, the bitter tyurels, grew. He meant to do well; he spoke according to his light; but he was only a man and childless, and forgot a little what easily bruised things the hearts of some womeu are when they are very young, and have hot blood in their veins, and are all alone in a world which feels to them as the stony road of the moorland feels to the shot doe when there is many a long mile to be covered between her and the herd. She turned her head from him quickly, and he saw the dark red flush which stained her throat. She did not answer. The words brought no solace to her. Her heart was empty. He saw the great tears roll slowly down her cheeks. He realised that the hilt of this two-edged sword which he held out to her was too cold a pillow for so young a breast. CHAPTER XLIII. The weeks passed on, and Othmar returned no more to the fields of Chevreuse. The great interests and the vast operations of his house occupied his time, and the days of this man, whom Nature had created a dreamer and a student, went away in the consideration of financial enterprises, in the audience of his innumerable supplicants, in the emission of national loans, and in the study of political situations. He thought oftentimes of her, but he went to her no more. To let her alone he saw, as Rdsselin saw, was all that he could do for her. His wife he scarcely saw. Now and then, when it was unavoidable, he went with her to some great dinner or reception; oftener they received at home themselves, and on such evenings he saw her in all the grace and elegance which the highest culture and the utmost fashion can lend to a woman already patrician in every fibre of her being. Sometimes she addressed a few words to him concerning the children, or the horses, or some matter of mutual interest; and he saw her carriage passing in and out, her friends and acquaintances coming and going on the stairs, her attendants carrying her chocolate, or her bouquets, or the offerings made her by her courtiers that was all. In no year had she been more absorbingly mondaine; in no year had she been so conspicuous as the greatest lady in Paris in no year had her balls, her fetes, her banquets. her concerts been more wonderful in their novelty and more exclusive in their invitations. .pam,e! elle a un chic incmyable I" (Certainly she is the height of fashion) thought Blanchette, angrily watching her and conscious that her day was not done as she had hoped. Meantime in the brilliant movement of which his house was the centre Othmar felt that he was becoming rapidly a mere cipher amidst it all, as Platon Napraxino had been, and he perceived no way by which he could recover his influence without her lidicule and the world's comment. That had come to him which he had said should never come: he was nothing in her life, not so much as one of her mere acquaintances. Such a position had always seemed to him the deepest humiliation that any man could accept; he had always thought that any man might save his dignity if he could not secure his own happi- ness but now he saw how easy it is to theorise, how difficult it is to resist the slow, insidious influence of circumstances. We drift into posi- tions which we hate without being conscious of our descent, and the effect of others upon our nature and our actions is as subtle and as un- perceived as those of climate or of time. He could not have said when the first coldness had come between himself and her, when the first irritation had crept into their intercourse, when the first frost of indifference had passed from her manner over the warmth of his own emotions. It had been unperceived, uncounted, I but its remits had grown and strengthened, until now they were like ten thousand other men and women in the .world, living under the same roof, but wholly strangers to each other, only united by one slender thread, their mutual interest in their children. It was a position which wounded him, humiliated him, oppressed him with a constant dense of weakness and of failure he had not the slightest power over her, though she retained much over him strong men, he thought, either left their wives or forced them to keep their marriage vows; and he did neither. Of late she had become almost insolent in her tone to him she seemed to take pleasure in passing the most marked slights upon him she purposely withheld from him the slightest acquain- tance with her movements or intentions, and at times her eyes looked at him with a cynical disdain. It was absurd, he felt, and exaggerated, and probably wholly ungrounded in every way, but there were moments when he imagined that she wished to remind him of his social inferiority to herself, when the recollection of the origin of the Othmar fortunes spoilt for a passing hour her pleasure in the existence of her children. But though he did not harbour the suspicion, but threw it away from him as unworthy of both himself and her, it yet. existed and made him over-sensitive to any slight upon her part, quick to perceive the faintest tinge of contempt in her tone to him. He knew that she could count her great ancestries far beyond the dim days of Rurick; whilst there were Courts of Europe where teudal etiquette still prevailed strongly enough to make his presence in their throne-rooms impos- siblt. These were mere nominal differences, no doubt, and he might perchance have saved from bankruptcy the very State in which he would have been forbidden to pass the palace gates if lie had sought to accompany her through them but. still, there where moments when the voice and the glance of his wife re-called these conventional things to him out of the limbo of absolute nullity in which, but for those, he let them lie. Never by any spoken word or hint had she ever reminded him of them, yet now and then in her colder moments he thought: "Perhaps she remembers that two hundred years ago if her forefathers rode over the plains of Croatia they could ride down mine before them, and drive them with thér: whips like so many acorn-eating swine He began to believe that she was in truth as cruel as the world had always called her and a feeling which was almost hatred at times awoke in him and blent with the suffering she caused him. It seemed to him that no man on earth ever gave a woman such passion and such worship as he had given her; these might at least, he thought, have secured respect from her, even if they had failed to hold her sympathy. He said nothing to her. Remonstrance would have been useless, supplication unmanly. He let time drift them where it would and in" the ever- exercising burden of his pain Damaris became almost forgotten. Some weeks after the performance of the Ruth Blanche de Laon, calling on the woman whom she hated on her "jour," came late, staved until the rooms were nearly emptied of their crowd, and then snuk down beside her hostess on a low couch in a earner, palm shadowed, where banks of lilies of tile valley gave out their fragrance under rose-shaded lamps, and great Japanese vases were tilled with the rosy flowers of the gesneria and the philesia. She always paid great outward deference to Nadege, was coaxing and ealine, and for her alone subdued the rudeness and the shrillness of her voice and manner. She leaned now beside her on the broad low seat of the cushioned corner whilst the few people who remained in the rooms conversed in little groups, and the flowers, the porcelains, the stuffs. the pictures, the embroidered satins of the walls, t he long vista of salons opening one out of another. made up one of those pictures of harmonised colour and of artistically-arranged luxuries of which the modern world is so full. Blanchette had all manner of confidential things to disclose, secrets of this toilette and that, of this scandal and the other, of the true reason of a dear friend's sudden indisposition, and the actual cause of a coming duel: all these secrets de Polichinelle(Y\inch,s secrets) which society loves to carry about and distribute, things which are mysteries of life and death whispered at every petit quad d'heure (little scrap of leisure) in every house known to fashion. Nadine listened, leaning back amongst her cushions, indifferent, scarcely affecting attention, thinking of her own costume at a coming ball she was about to give, in which the Regne animal of Cuvier was to furnish the dresses. She had chosen a panther. All the yellow and black would make her delicate, colourless skin look so well, and she would wear all her diamonds, and--She was aroused from her meditation by the question which Blanche de Laon put suddenly to her. Do tell me," she said, leaning down amongst her cushions—" you know I like to be the first to hear things—when will the new genius make her debut with you ?" What do you mean ?" "Oh, you know what I mean this young artiste whom Rosselin is training, in whom your husband is interested, and who is to make her first appear- ance here? Who is she? Do tell me about her. I should like to have her appear at my house if you have no proprietary rights to her exclusive production." I have no idea of what person you speak about. I am not fond of untried artistes," she answered, with perfect indifference, but Blanchette saw a shade of surprise and a coldness of displeasure on her face. Oh, surely you like une Nouveauth ?" she said carelessly. It always amuses people so much, something quite new, and I believe this girl is beautiful; does not Othmar say so?" But by this time her hostess was on her guard and her expression wholly under control. I think I know whom you mean now," she replied indifferently. But as to a debut here— that is quite in the future. I am not fond of untried artistes, as I say; one does not take out untried horses to drive in a crowd. Genius is admirable, but I think, like wine, it wants time and a seal upon it before one offers it at one's table." Blanche de Ll10n was perplexed. "Does she know all about it or nothing about it ?" she wondered. "I want to know more myself before I go on with it." Some other people approached them at that moment; the conversation turned on the Regne animal ball; Blanchette, disappointed, rose and went and drank deux doiQts de liqueur fa sip of liqueur), and ate a caviare biscuit, in another room, where Loris Loswa was drawing some caricatures of mutual acquaintances, as the beasts of Cuvier, on his visiting cards, and distributing them amongst some ladies of fashion. Meet me on Saturday at eleven at the Rond point," she murmured to him as she took from him a sketch of her brother-in-law, the Due d'Ypres, as a wild boar in top boots, over which she con- descended to shriek her shrillest laughter and approval. When her rooms were all quite emptied and she was left alone in them Nadine remained leaning back amongst the cushions motionless and with a cold, contemptuous anger on her face. To think that I should accept such a part as that!" she thought. "He must be mad and the whole world with him Weak women, indulgent women, women who were afraid and wanted pardon for their own secrets, these women did these things, aided their husbands' amours, received their husbands' favourites, helped their husbands to conventional disguises of equivocal situations, but that rule was not hers. And he came from this girl to me in Russia!" she thought with that physical disgust which is so strong in some women, and which men never understand. One forenoon on entering his study Othmar missed from the wall the sketch made by Loswa. There was only a blank space between the places of the Corot and the Aivanoffsky. He rang for the major domo. "Who has taken the potrait from that place?" he asked he feared tho entrance of some thief from the gardens. The major domo, astonished and alarmed, replied that he had taken it down that morning by command of his mistress and had sent it whither she had directed him to do; to a certain gallery recently built on the Trocadero. "You were quite right to do so if Madame desired you," said Othmar; and dismissed the official without more comment. As soon as he could be admitted to his wife's presence he went to her and opened the subject with scanty preface. Philippe says that you ordered him to send the sketch by Loswa out of my study to the new gallery on the Trocadero," he said, when he had made her his usual greeting. "Is that true?" "Very true. One would think I had ordered him to blow up the Louvre or the Luxembourg!" May I venture to inquire your reasons ?" "Certainly. There is an exhibition of Loswa's works about to be opened there. You are aware that these exhibitions of a single master are very popular now. That head is one of the best things he has done. It will come back to you in three months. Cannot you live without it till then?" Othmar felt that he coloured like a boy. "I would of course have lent it," he said with a little hesitation. I have sent all his portraits of myself and of the children," she said with a cold glance at him. You do not appear to have missed those." "I have probably not entered the rooms in which they hung. If you will pardon my saying so, I do not care to know less of what you wish to do than my servants know—and to know it first through them." If I had told you, you would have objected. When I know that people will object, I never ask them what they wish." The method has the merit of simplicity" He felt exceedingly angered in the first place he did not care to have the portrait seen by all Paris at a moment when the original was livin" so near Paris with no friend but himself, and in" the second place he indignantly resented being treated like a cipher in his own houses; lie never per- mitted himself to intrude on her personal arrange- ments, could she not respect his ? a Now and then, and above all of late, there had been something high-handed and even insolent in her occasional treatmentof things which concerned him, and on which she did not consult him some- thing which made him fancy that in the deepest depth of the thoughts and feelings there was occasionally the remembrance that the great race of princes from whom she herself descended would have deemed her alliance with one of the princes of finance a gross mesalliance. This was a trifle, no doubt, and he was not a man who ever disputed small matters. But the tone with which she had spoken had given it something of personal offence, and he could not shake from him the impression that she had purposely sent away the portrait. The exhibition was about to take place, no doubt, at the new gallery on the Trocadero. Loswa, having quarrelled violently with the Committee of the Salon, had chosen to prove that the collection of his works would be more attractive to the public than any- thing which the Salon could offer without his assistance, but the manner in which this sketch had been removed from his study conveyed to Othmar the impression of some persoDAl motive, some personal meaning in the act. Capricious as his wife always was, she yet was usually courteous. This insolence of the removal of his picture was unlike her. She always held the very true creed that mutual politeness is the first of obligations to render the intimacy of daily life endurable. He left her presence quickly, afraid of what his anger might bring him into saying. He had never as yet wholly lost his temper with her, though there were times when it was sorely tried. That cold, nonchalant, slighting tone was that which always tried it the most. Of all things which he most hated it was to be spoken to as Platon Napraxine has been like the last of her lacqueys, as he thought bitterly now. She looked after him with some scorn. Is he gone to the Trocadero to seize back his lost treasure ?" With an impulse which was as swift as thought itself, and which he did not pause to consider, he turned back as he reached the threshold of her boudoir and stood before her. Nadege," he began with an impetuosity which yet had a certain timidity in it, there is some- thing which I wished to tell you the other day. There is a reason which makes me especially regret that you should have sent that portrait for exhibition without referring the matter to me. Are you inclined to be patient enough to hear a little tale which might interest you perhaps if it were a sketch by Ludovic Halevy, but I fear will not do so told in my poor words ?" He did not observe the expression of her eye, which surveyed him with a cynical coldness, as she asked Do you mean that you have written a romance ? —or played one ?" There was the mockery in the words which he had dreaded so much that he had put off this moment day after day, week after week, month after month. "Neither," he answered curtly. "I have not talent for the one, nor time and inclination for the other. You may believe me," he added a little bitterly, if I had been foolish enough to tempt fate with either, your indulgence is the last mercy for which I should hope." Her eyes still looked at him coldly, steadfastly, with no revelation in her gaze of whether she were surprised, interested, indifferent, or already wearied. She was leaning back in her long, low chair; there was a great deal of lace ruffled at her bosom and on her arms; she wore a Jong, loose satin gown of palest rose effeuillee of which the lights and shadows were vory beautiful; her hands were lightly clasped upon her lap; her great pearls gleamed behind the lace she looked like a woman of the time of the Stuarts or of the Valois. At her elbow stood an immense bowl of Louise de Savov roses; as she looked at him she drew out one and put it in her bosom. She did not speak or attempt t.o aid him in any way to continue the conversa- tion which he had bogún. She only waited, and as he saw her in that impassive attitude his task grew harder to him that sudden sense of her cruelty, of her want of sympathy, of her im- movable indifference, which had come to him so sharply on the night of her return from Russia, struck him once more and hardened in him almost to dislike. Why should he tell her anything ? She cared nothing what he did or what he felt. She dwelt in that serene, rarified atmosphere of her own in which no passions or pains of his could disturb her. If she had once seemed to him to lean from it for a little while to share his emotions, that time was passed, long passed, never to return again. She was silent many minutes, but she asked no question8, threw out no conjecture, did not even by a glance assist him to begin his offered narra- tive. If she would only have said something— anything—it would have broken the ice at least. But tho marble bust of herself which stood near her, carved by Hildebrand, was not more mute than she; and she was quite motionless, her hands clasped on another rose with which she toyed. He was angered with himself to feel that his cheeks grew warm, and that his voice was nervous as he said at last: I regret that the portrait is gone to the Trcca- dero, because the original of it is living near Paris, and it may lead to comment and conjecture which may be injurious to her she is scarcely more than a child, and she will be an artiste; she is better without the attention of the public until she challenges it directly. He did not notice the gleam which flashed over him at one instant from the unrevealing eyes of his wife; the next moment the eyes of the bust were not colder and more im- penetrable than hers. I have long meant to tell you," he continued with rapidity, his words now coming with eager- ness and eloquence from his lips, but I have been afraid of your ridicule. Long ago, in the midsummer of last year, I found the child of Bona- venture dying in the streets. It was at the time my uncle was on his death bed. I did all I could for her, of course. She was long ill; when she re- covered I placed her in the country with good, simple people whom 1 knew. She is there now. Rosselin, the great actor, whose name you will remember, though his career was over before your time or mine, has trained her these many months past: he believes that she has great talents that she has a future; that when you predicted the career of Desclee for her you showed your usual insight. She has had little but sorrow since that day you tempted her from her island; it has always seemed to me that we owed her a great debt, that we had done her a great brutality but for us her life would have gone on in peace and prosperity, she would never have left her little kingdom; if you realised what you did that day you would regret your caprice. There are many more details 1 could tell you if you cared to hear them, but I know your intolerance of any demand upon your patience." She smiled slightly; the smile was very chill; it checked the expansion and the confidence of his words. "You are pleased to ridicule my knight- errantry no doubt," he said, with heightened colour in his face, "but no man living would have done less than I did, I think, being conscious as I was that the invitation which you gave her with- out thought was the origin of all her unmerited misfortune. I believe you were right that she has genius.or something very nearly approaching genius in her and it may be that the world will in time compensate to her for all she has lost. But mean- time-" You do so The words were very calm and cold, but they struck Othmar like the cut of a whip. They cast on his words the dishonour of disbelief. He strove to command his temper as he replied: "I do not; no one can she lost what no one ever can give back to her, when you showed her what the world was like and taught her discontent. But for you, and that one evening in your house, she would have lived, and married, and spent all the even tenour of her days in her native air, on her native soil, as ignorant of ambition as any of the sea birds on her coast," She looked at him with an expression of fatigue and of exhausted patience; he saw that she was perfectly incredulous, that his words might as well have remained unspoken for any impression of their truthfulness which they conveyed to her. Is this all your story ?" she asked. "It is the outline of it all," he answered. ''If you care to know more of the causes which drove her from her home They do not interest me in the least." Her voice was as chill as frost. Then allow me to apologise for having intruded even so much as this on your attention." He bowed before her, and was about to leave the room but she, without rising a hair's breadth from the languid attitude in which she reclined, said, Wait." He waited, in sanguine expectation of an im- pulse of sympathy in with those more generous instincts, those kinder emotions which sometimes swayed her, would be aroused on behalf of a life she had thoughtlessly injured. Still without rising she stretched out her arm, and took up a blotting-book from her writing cabinet, which stood near. In the blotting-case was a tiny note-book of ivory and silver; she opened it, and read from it in a serene voice certain dates. Before you giye your idyl to Halevy—or to the journalists in general—let me renew your memory with these memoranda, she said in the same soft, cold voice. Your narrative, as you tell it, is bald and wanting, as you admit, in detail. I will supply some of those details. On June 10 you brought Damaris Berarde to this house, where she remained ill for many days, even weeks. On July 20 you went yourself to visit her cousin, the present proprietor of the island of Bonaventure, and endeavoured to negotiate through bankers of Aix the purchase of the island, which, however, the owner refused to sell. On August 2 you had her taken, accompanied by her yardes-malades (sick- nurse), to the farm of the Croix Blanche, which lies between the villages of Les Hameaux and Magny. On August 15 you visited Les Hameaux. In the last week of July many objects of artistic interest and value had been already sent by you to the farmhouse. In the same week, Rentes to the amount of a hundred thousand francs were purchased on the Bourse in the name of Damaris Berarde. There many more dates than these in my note-book, but those are enough to supply the lacunae in your story. Onpeut broder dessus (One can fill up all the rest) without anv great imagi- nation. A knowledge of human nature will suffice. You will do me the favour never to re- open the subject; and, as a jmatter of good taste, to endeavour that you idyl shall not be too largely talked about for the amusement of the world in general." Then she slid the little note-book within the leaves of blotting-paper, and fastened the rose in the lace at her breast. It was impossible for him to misunderstand her meaning. (To he continued.)
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(All Rights Reserved.} ,J t' -{ THE END OF A CRIMINAL CHAPTER. By IRVONWY. [SPECIALLY WRITTEN FOR THE "WEEKLY MAIL"] When I heard this earth and sky swam before me. Then a great red blindness obscured my vision. I clenched my hands and bit my lips until the blood ran to prevent myself crying out. I stood motionless as a carved image—a statue of desperate despair. The minutes seemed as hours' and the concentrated agony of a lifetime was crowded into the short space of time, when, after pressing hot kisses on the ripe red lips that had touched mine, AndrS Lecomte parted with my wife his mistress, and left the arbour. With a frightful effort I regained somewhat my calmness and crept silently away through the shrubbery into the open fields beyond, where I walked for hours, turning over schemes of vengeance in my whirling brain. Him, Andre Lecomte, I knew well what to do with. I was a master of the rapier, and it is not hard to fix a quarrel on a volatile Frenchman. Her—I must think, do naught rashly but she, too, should know vengeance as terrible as well deserved. It was nightfall when I returned to the chateau. A soft wind was blowing from the south-west, and above the forest trees a great yellow moon hung in the blue of the calm, unfeeling sky, a strange contrast to the hell of torments in my breast. I met my wife with imperturbable serenity. Never had she seemed more joyous, more bewitching than then; and as I glanced at the portrait whilst we dined I could not but own that the artist had rendered her no more than simple justice. Throughout that awful night I pondered over my revenge. When I arose in the morning, haggard and worn, I had resolved partially on a plan to pay in full the wages of sin to M. Andre Lecomte. I was invited to a dinner that day at Ville d'Avray, and Andre, I felt certain, would be there. Nor was I wrong in my anticipation. As I entered the. room there he stood, the delicate, white-fingered dandy of a Judas Iscariot, toying with the diamond ring I had presented to him on my wedding day. That night I drank more wine than was my wont, and rose from the table flushed and excited. The debris and the decanters were removed from the dining table, and cards were brought in. I walked up to M. Andre Lecomte, and after a few casual remarks suggested a game of ecarte, to which he readily assented. For some time I won heavily, although I was absorbed in the one idea of how to insult my adversary without a possi- bility of retractation. 1 did not wish the name of my worthless wife to be publicly mixed up in the quarrel. Suddenly, just as he threw a card on the table, in answer to a lead of mine, I started up and, with a cry of Cheat! flung my cards full in his face. He struck at me with his right hand and cut my forehead slightly with the diamond ring. The other players now crowded round and separated us, but my object was gained —Andre was panting, and his pale face had turned livid. Liar!" he shouted; but I only smiled con- temptuously. To-morrow," I said, and, taking the arm of an acquaintance, left the room. It was arranged we should fight at sunrise the following morning in a little wood near Ville d'Avray. Dawn, breaking red and glorious, found me and my second, Armand Tilly, on the pre- arranged spot. We were the first to arrive. My opponent had chosen the rapier as the weapon to be used, probably unaware ot my dexterity with it. "I suppose the matter will terminate with the first blood drawn," remarked Armand, with a smile. Look you, Tilly," I cried savagely, this is no child's game. I swear to you I will kill him before yonder sun shines above the tree tops." My vehemence apparently surprised Armand. He looked at me inquiringly. And all for a quarrel at eards," he said reflectively. I laughed hoarsely. "All for a quarrel at cards!" I echoed and again he gazed at me in a puzzled manner. Is there any message or instructions you would care to give before-" "None," I answered. I am not going to die yet." Just then Andre Lecomte. leaning on the arm of his second, appeared. He was chatting gaily as he approached us, and his face wore a cool and maddening smile of careless confidence. I muttered to myself, "A word from me, and even you will scarcely care to smile." There was a wild, exultant feeling at my heart. Soon he would be in my power, and ho should taste in full of some such agony as that which he had caused me to suffer. I requested my second to inquire whether he would allow me to speak a few words to him in private. He assented to this strange request, and, standing a little apart from our seconds and the doctor; I whispered in his ear, "Remember the arbour at the Chateau de Mersac." He started as if a, snake had stung him. Remem- ber," I repented, and returned to my place. The rapiers were then handed to us, the signal given, and as the steels crossed a thrill of intense relief passed through me. I had faith, and felt I should kill him I soon recognised that the contest was to be n short one. Mv wri8t was both stronger and more supple than his, and mv skill infinitely greater. The chance came at length —a parry—a lunge—and M. Andre Lecomte was lying on his back, pierced through the lungs, his life-blood dyeing the light-green sward. The doctor vainly strove to stay the flow. I knew, with a joyous satisfaction, from the expression of his face, that the end was near. Presently my enemy half opened his eyes. I knelt down by his side, so that if he spoke I might satiate my revenge with his last words. "She loved me." said the pale, trembling lips. I have been blest, 0 my love, my love With a sneer I bent, over the dying man. What think you now ?" I half hissed. Is life for love well thrown away ? A half smile glimmered like wan morning over the pain-drawn features. He slightly raised him- self on his elbow. Yes," he whispered, so low as to be inaudible to all save myself. Then murmuring Marie! Marie!" he fell back. In a few moments he was dead, and part of my revenge was com- pleted. Yet I was not satisfied. What right had he to appear so happy—villain and seducer that he was? I would have kicked the dead body as it lay there had it not been for the onlookers. I turned away, and, telling my second that I was returning to the chateau and bowing to the others, I left the ground. The duel made, of course, a considerable stir; but such things were not uncommon or unlawful in those days, and it was admitted by all that I had slain my adversary in fair fight. All, said I ? Nay, not. so. How, you ask, did that fair, false wife of mine receive the news of the unequal justice ac- corded to her lover? Unequal, I say, for what equality could there be when I measured my life, unstained as yet by crime, against his, and gave him an honourable death—him by whom my honour had been destroyed, him whose foul breath had blasted the future that a little while agone had fronted me with calm and smiling brow ? My wife rose as I entered the room. By the dreadful pallor of her face I knew she had heard of the death of her lover. She looked unearthly and grand in her superb beauty, transfigured by her anguish. Her eyes glared at me like the eyes of a wounded tigress. I gazed at her with cold asto- nishment. Madame," I said, you are ill. Let me call your maid." She turned on me, one hand pressed to her bosom, and burst out, Andre! Andre! Murderer, get you gone." How dare you, you red-handed coward come near me Fool—do you thi n k I ever loved you? You love has little to do with such as you. But he loved me long before I saw your loathed face. And I—my God, I would have given my life to shield him from hurt. Coward! Complete your work and kiIlme also. I lUll his, and his alone and will be till I die." Exhausted by the efforts of half gasping speech she sank back on the couch. She had fainted, So well had I schooled myself in calmness that these wild words of my wife stirred no compassion in my breast. Rather did they, as I gazed at the insensible form on the couch, add fresh fuel to the fire of my furious desire for vengeance. I was amazed at the audacity of the woman. In my presence, whom she had wronged as only woman can wrong, to cry his name—his !—in mv ears. I rang for her maid. Madame is unwell," I said, and passed from the room. Dny followed weary day. For many weeks I did not see my wife I was too much occupied in maturing a design for her death. At such times as I saw her, indeed, I could not but remark the ravages despair and grief had made in those peer- less features and that perfect form. These moved me not a whit. I had determined to kill her. How, when, and where I knew not. yet. The idea of stabbing her, of using brutal violence by where the perfect form I once deemed mine, and mine alone, might be marred or mutilated, never crossed my mind, or, if it did, was hastily dismissed. Alas! Women are not so easily slain. One cannot destroy them with glances of hatred, or my sweet wife had been dead long before I slew her. I could not draw from my case a hollow.ground razor, and, roughly catching her by that round, ivory shoulder I once loved so well, hack and hew her to death. And why? Because I then feared for my own craven life too well; because I feared the executioner's hands; because I saw in the vista of the future the scaffold in short, because I was a coward. To mutilate externally then, with my own hands, what was so beautiful seemed to me vulgar and revolting. I would find means surer and safer, and without bloodshed, which should afford no proof against, me should suspicion fall. I thought of the many famous murders I had read of, but all these seemed to me either brutal in detail or lacking in the security necessary to mislead doctor and detective. The kmfe, the cord, and the commoner poisons I at" once rejected as crude and uncertain weapons wherewith to accomplish my end. There must be, I said to myself, no outward signs of violence or inward signs of unnatural decease. I felt I was neither leurned nor ingenious enough to formulate methods or to invent, or rather discover, a poison that would V ■ ■rji. ? fulfil these conditions. Had I lived in the days of Catherine de Medici and her arch-poisoner the Florentine Rene I should have, doubtless, consulted that master and contriver of secret assassinations to further me in my scheme. Knowledge of chemistry I had little or none; but. with this unsolved, and to me all-absorbing, problem before me I could not rest. I purchased and searched diligently for all books and MSS. relating to poisons, and for weeks studied hard the symptoms and effects of the vegetable and the mineral. Yet, I found none that appeared to me satisfactory and safe from the prying eyes of science. Then I turned to mechanics. Are there, I thought, no mechanical means wherewith the action of the heart may be suddenly arrested and leave no sign or unnatural distortion of feature or organ behind? Long and wearily I pondered in my room—a room especially reserved for my own use, and to which no one except myself had access. A strangelv-furnished room—round whose walls hung quaint weapons and curios collected during my travels. Yataghans from Persia, old arque- buses from Malta, Indian swords and daggers, and a motley array of pistols and guns. I have ever had a considerable taste for dep.th-dealing instruments, but these, with my all-important problem un- solved, seemed to me then as useless as they were interesting. So day fell on weary day, and my hatred of my wife and desire for revenge grew more and more intense with the passage of time, until one night. towards the hour of twelve, I could restrain myself no longer. I seized a dagger from the wall, and, taking a small silver goblet from the table, poured into it half the contents of a bottlejof morphine, and with stealthy steps crept upstairs to my wife's bed- chamber. The door was partially open, and the faint crimson light of the lamp glowed inside. I quietly entered, and saw her lying on the bed, apparently slumbering. I drew nearer. She moved! Her eyes opened and dilated with horror as she saw me standing near. With a cry she sprang to the floor and confronted me. "Ah," she said, in a voice instinct with hatred, you have murdered him, and now you would murder me. What! Poison!" and she darted towards me with maniacal fury, snatched the goblet from my hands, and swallowed the contents. Thanks," she said. For this one and only favour I have received from you I thank you and she fell back on the bed. I stood speechless and stupefied. Presently there came a murmur: Andre Andre My love My love I come." The sound ceased. I heard the clock in the chateau tower striking twelve. Casting one look at the still and silent form I rushed from the room. My thoughts through the long vigil of that momentous night were chiefly those of extreme regret that I had allowed the intemperance of passion to carry away my reason, and so robbed myself of half the 'sweetness of revenge. My planning of a punishment adequate to the wrong she had done me bad come to nought. She had embraced death willingly, and in her dying utterances had taunted me with her love for Lecomte. I, who had thought myself master of my will, had proved myself a child of anger and impulse—a poor creature incapable of fixed pur- pose. I writhed with shame and rage. She had escaped me. cheated and robbed me of the vengeance I had so long desired. I was not suspected of causing the death of my wife. For weeks past it was generally known in the household that she had been accustomed to take small quantities of morphine to induce sleep, and the report of the examining physicians was that she had died from an overdose of that drug. The fact that I had not that night occupied her chamber was a trivial one, as it was generally known throughout the household that, on account of my wife's indisposition, I had slept in my own room for some weeks previous to her death. De Mersac was in Paris, engaged in the delightful task of spending the ample allowance I had settled on him on my marriage. He, however, attended the funeral and shed some crocodile tears over the remains of his beloved Marie, after which, having extorted a cheque from me, he returned to the capital. On the night following her death a strange thing occurred. It was near twelve o'clock—the time she had died on the previous night. I had been upstairs to look at the body of Andre Lecomte's doar dead woman—for mine, I knew well at heart, she had never been. I was seated in an arm-chair in the dining-room, smoking a cigar. Suddenly the clock on the mantel-shelf began to strike the hour of midnight. I instinctively, and withltn inexplicable foreboding, glanced at the ill-omened portrait of my dead wife. A singular and terrible change was taking place. The face and figure had become luminous and transparent. Suddenly I saw her step down from the frame and approach my chair, and there stand as in an attitude of expectancy. The light of the lamps had grown dim. A deadly chill was at my heart. I covered my eyes with my hands, but I could still see the white phantom, waiting and watching me with dim, remorseless eyes. I rose, and with trembling limbs moved towards the apparition, which slowly retreated as I approached. I reached the door the figure followed me. "Spwik," I cried. "What would you?" No answer, save the dull echo of 117 own voice through the sombre room. The silence was more than I could bear. The horror of a great fear was upon me. Mv limbs refused their office. The objects in the room swam and surged and blentbefore my darken- ing vision. I seemed as if seized in a whirlpool of waters. A seething, chaotic rush of ideas, old memories, old dreams, desires, and fears flooded my brain. I heard sounds as of the thuds of a stupendous steam hammer. But still through the awful mists of terror and confusion shone the vision, pale and luminons, of my dead wife. 1 gasped for breath, a sense of intense suffocation came over me, and then-darkness, When I recovered it was broad daylight. I looked wildly round the room and staggered to my feet. I glanced at the picture. The pallid figure in its robes of white stood fair and joyous as of yore. I laughed harshly and discordantly. Then I walked to the chiffonniere, took out. a bottle of brandy, and, half filling a tumbler, drained it. at a draught. I felt strong and vigorous once more. It was the morning of my wife's burial. I entered the chamber of death. I stood over the coffin and looked steadfastly at the livid facp, with its closed eyes. dark-ringed, and sunken cheeks, on which the rouge—that mockery of youthful bloom —still lingered. With steady hand I lifted the coffin-lid, adjusted it in its place, and carefully screwed it down—joyous at heart with the turn of each screw that I was securing and hiding the dead from my sight. That day the body was interred with fitting obsequies in the family vault of the De Mersacs. My vengeance was complete. I was free once more. Free! 0 irony of fate. Free! Nay, never man was such a slave as I; dogged nightly by a venge- ful phantom—for that night and each dreadful following night the grim soul's tragedy in the dining-room was repeated. To-day I die. 1 have firm and settled convic- tion as to the future life. I do not think with Tyndall—that scientific quack of an advertising age—that I shall merge like a streak of morning mist into the infinite azure of the pnst. My faith is that when the crisis we term death is past I shall live and breathe again in infant form, and grow once more to manhood through periods. doubtless, happier and more restful than those I have experienced in my present body. I know that you, 0 world, when you read this what you will. doubtless, be pleased to call a strango confession of a crime will shake wise heads and call me madman, with further epithets that I cannot but regard as compliments, seeing in what worth 1 hold you. I am not mad, 0 noble world ? Faithlessness in wedded woman I, like the ancients, consider worthy of death, and I, the instrument of justice, chose what I deemed the most painless way of punishment. I feel no remorse for the past and but little curiosity con- cerning the future. Only when night comes, and that fearful phantom of my craven imagination steps from her frame in robes of white. and, fair as on her bridal morn, beckons mo with delicate hand outstretched to follow her, I feel and fear lest I should grow mad. Alas, how little of joy I have extracted from this world, which is so fair, so vigorous in this marvellous spring-time. Do you know that Nature (I dignify her with a capital letter, not daring hitherto.to phy her for pur- pose of fiction or amusement as an "It") never seemed to me so eager to gratify my senses with her sweet sights and sounds as to-day ? How bounteously in the woodlands the violets give forth their fragrance! How! But I, who should he talking of the dying, must needs prate of the living, sith that which is around me talks cfhly of life. Strange that I who have resolved upon taking my own hfe lmve no will to destroy the fatal pic- ture which has been the cause of all my misery. Some mysterious power holds me in check. Often have I longed, knife in hand, to hack the fatal canvas in pieces. Yet. I dare not. I know not why. Dare not! I who counted her life such a little thing, I who gloated over the sufferings of Andre Lecomte have become weak and feeble of purpose—a haunted man—a man with will subservient to some strange demon of destiny. Neithpr opium nor any of its kindred drugs can charm the sleep god now. The time has come! Looking out from the lattice of my bathroom window I see the little white-walled town against thA wildness of the wood. with gleaming walls and shining roofs fronting the yellow sands of the blue sea. The scene has no charm for me. The artistic instinct, is dead in me. "No desire of the moth for the star." as in the glorious youth days, awakes in my breast now. Yet, I had thought that. the genius of poetry and art could survive through all crime and cruelty, that they were spirits apart. from man's nature—forced companions of the degraded instincts of the soul and mind of our paltry and contemptible race. I wonder if this lancet be sharp enough. Strange, 0 simple hit, of glisten- ing steel, what power you hold for your master, the man Look how the red current flows. O brave and blessed The bath I have drawn close to the open window warm breaths from the summer sea fart my pale face and lean form, and yet I am glad to die. 0, pale phantom, you shall haunt me no more. From premature decay I go to new, though mortal, youth, through death, which is but transition. As I pen these last lines I feel weak and exhausted. The blood oozing from the open artery is making the waters of the bath redder and redder. The vial of opium is in my shaking hand. I drink, and have done with the world.
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FEMININE FANCIES, FOIBLES,…
FEMININE FANCIES, FOIBLES, AND FASHIONS. By A LADY. [All Rights Reserved.] Blessed be the hand that prepares Apleasure for a child.—Douy as Jerrold. I think, according to this, Miss Windsor, or the Soho Bazaar, Oxford-street, should be rich in blessings, and I have no doubt the benisons of many mothers and nurses are bestowed on the ingenious inventor of the infant's crawling rug." There is no question that babies are nursed too much, and would be healthier and happier were they laid on a. duly-protected floor and allowed to rest quietly, or exercise their little limbs without re- striction and according to their own baby inclina- tion, instead of being rocked, jogged, and re- strained on the laps and in the arms of too-demon- strative mothers or ignorant nurses. Before, how- ever, baby is placed on the floor care must be taken that draughts are excluded. A physician once told me that a frequent cause of the ailment" of children resulting from cold were du* to their being Allowed to crawl on the floor, which is the draughtiest placti possible, as anyone will nnd by laying down on it; and before the fire is about the worst place in the room, since fire creates draught. Before pur- ting children down pains should be taken to ex- clude draughts by drawing curtains over nursery doors, or by nailing list or leather, sold for the pur- pose, over crevices. There is also a draught pro- tector, made of wood, with gutta percha fixed on the top, which, placed against the door at the bottom, thoroughly excludes air from entering in that quarter. It is a good plan to have a õhick mattress laid down, so that baby is above the level of the floor, yet not so much elevated as to endanger it in case of a roil off the mattress. I am sure children would be both healthier and less fretful if they were more often allowed to exercise their little limbs in their own way and unconfined. Miss Windsor's "crawling rug," whilst pro- tecting baby's clothes, provides objects which attract the notice of even very young children. The large square of red flannel, scolloped at the edge or bound as may- be, has the word baby" in the centre, or the name of the child is substituted, according to fancy. The letters are cut. in white swandown calico, and to form a border to the rug there is a procession of animals made in the same fluffy material. There are twelve animal? to a set, assorted kinds, and purchasers can select the sets that seem most likely to attract baby notice. I have a charming packet,including a Jumbo, monkey, lion, duck, stag, giraffe, cock, horse, dog, &c.—twelve in all. The animals are cut with the most careful precision, and an exact following of nature's lines. I believe Miss Windsor's father was an animal painter of some repute, so, no doubt, she inherits the artistic fidelity of re-production necessary to imitate nature successfully, whether by the aid of paint brush or scissors. The animals repre- sented are first laid on the frame square, and when arranged satisfactorily must be neatly hemmed on to the blanket, or they may be button-hole stitched round. The work is very easily and quickly done, and the materials are by no means expensive. Photographs may be had to give ladies at a distance an idea of the work, and orders contained in letters are carefully attended to. The designs are registered, so that it would be an infringement of patent to copy them for sale. When the rug has been washed it is advi- sable to use a fine comb so as to raise the plush. Glass eyes can be added if desired. In order to produce a closer resemblance be- tween the animals represented and the original species, and far more expensive" crawling rugs," Miss Windsor is using the veritable skins of tho creatures designated. I saw calf skin tanned (with the hair on, of course), lamb's skin, and so on. I observed a magnificent retriever, the black Astrachan out of which it was fashioned forming an exact representation of the glossy black coat of that species of dog. As some of these skins are difficult to procure and costly to buy, the rugs adorned by animals cut from them are far more expensive than when the designer relies Bolelyon outline to produce a resemblance of the animals imitated. White flannel rugs are some- times decorated with animals cut in washing materials of different colours. Packets of any of the above-named models can bo hnd at a very moderate cost, and the rugs may be made at home or purchased ready for applique of Miss Windsor. One rug I inspected had, besides the usual border of animals, the figure of a Dora Greenwood girl in the centre, surrounded by every denizen of a well-stocked poultry yard, to which she was scattering grains of corn. Beside exercising the legs, arms, and hands, pictures bring the observing faculties into play, whilst the power of speech is developed when baby is taught to imitate the cries of the different animals as in turn they attract attention. A rug of this description would, I thought, make a very nice christening gift or Christmas-box for a, youngchild. On view at the same Kindergarten stall 1 saw cot quilts made much in the same way. The animals, cut in red flannel, were appliqued on squares of white twilled linen, with bars of scarlet braid or red Turkey twill placed along and across to give connection. The sight of a familiar animal arresting baby's attention on the moment of waking would often stop the fretful wail of an exacting infant who has been spoiled by the injudicious haste of mothers or nurses too ready to take up" the baby on the first symptom of wakefulness, when but for such undue zeal baby would pro- bably soon have fallen to sleep again. Habits pre- judicial to infants, and wearing to those about them, are often formed in the very first month of an infant's life. and many a mother who permits a certain class of nurses to have their own way find swhen she herself is most in need *cf rest the tyrant baby insisting on being taken out of its cot to toast its rosy toes and be nursed, so that it may conveniently stare into that wondrous, un- fathomable, and glowing abyss, the fire. I do not know how my friends have fared in the country. Here in London I never experienced more depressing weather—fogs and rain alter- nately, and no more light than, to quote George Eliot, might be found in a well-constructed chimney." I heard an acquaintance telling a humorous story anent the dense fog which pre- vailed last week. A builder's assistant," he said, "was covering in a house, and actually roofed several yards of fog before he discovered he had reached far beyond the limit of the actual structure." Absurd as the exaggeration was, it made one laugh—a good thing both for the spirits and for digestion, but almost impossible of accomplishment when everything external is wrapped in a dense yellow-grey mist that pene- trates everywhere, even to, or seemingly to, the marrow of one's bones. When it has been possible to look into the shops I have been abroad to gather ideas for my corre- spondents, and, amongst other matters, have seen how admirably the at-one-time much-decried jersey bodice has been improved. When Mrs. Langtry first appeared in the skin-like covering of the old-style jersey, named after the pro- fessional beauty" who first patronised it, society was greatly scandalised, and held up its hands in righteous horror, but now, it seems, we might parody the poet's version in respect of wrong- doing :— Vice is a monster of so frightful mien, That to be hated needs bur to be seen. But grown, aiM, familiar with its face, We first endure, tuen pity, then embrace. And we have embraced the jersey bodice. Never was any upper covering more universally popular than it has been for some years; even the most prudish reconciled themselves to its severe out- line, and accommodated their notions of decency to the prevailing fashion. I am glad, however, that the; jersey bodice is redeemed by modifica- tion from that expression of nudity which caused its first denunciation. A pretty variation, quite new, has been made by a well-known Court dress- maker. The front of the stockingnette bodice is left open; there is an under-vest, or, as one may call it, a second front, from the side seams, which fastens down the centre, and affords a foundation for the Sara Bernhardt," or long, loose vest, which falls some centre, and affords a foundation for the Sara Bernhardt," or long, loose vest, which falls some distance below the waist. This vest was of soft surah, a little lighter in colour than the beige jersey, which was bordered with beige-coloured worsted lace plaited on and turned back on to the jacket. There were collar and cuffs to match. A simpler means of improving a jersey is to tnke three strips of ribbon velvet of suitable width. The centre piece is put in just at. the neck opening and reaches to a little below the bust, where it terminates in a point: The velvet on either side is a trifle shorter,; being set in farther back. the points terminate nn inch or so higher than the centre length does, but it. is well to dispose the pieces of velvet, on the figure and regulate tha trimming to suit it. It is surprising how a very little alteration may render becoming what befurb was strikingly the reverse. There are such pretty velvet bodices made to wear with Ince dresses. They take very little material, being cut very short on the hips, with sharp points back and front, the upper part, being V shaped before and behind, with sleeves of elbow length. All the edges are outlined with beads of good size, and properly they should correspond to the dress in colour. Many ladies fill in the openings with tulle. This is usually IL square folded and laid on the neck before the bodice is put on. When the neck has lost its roundness, or is not so pretty as it might be, a shaped chemisette is more advan- tageous to the wearer. The material may be gathered into a band, and there should be a frill above it. If the arms are white and well-shaped, the trimming on the elbow sleeve may be a simple band of lace, turned back in the form of a cuff; but when there is a thin arm it is best to trim the sleeve with wide and liberal ruffles. An inexpensive make of silk velvet, or even good velveteen, is good enough for this purpose, and so one may have two or three bodices of the kind for the price of one made of Lyons velvet. With a beige lace skirt one might wear at various times an olive green, a garnet, a rich blue, and a black velvet bodice, and the skirt trimmed variously with feathers or ribbon bows to correspond. The effect of a new toilet is thus produced at a very insignifi- cant cost. It is fashionable to put a coloured aigrette in the hair when it is worn on the top of the head. Both real and artificial flowers are again worn in the hair. With basket plaits a high Spanish comb is frequently seen, or lower combs are set in side- ways, having a coquetish look when so placed that becomes some women, whilst it makes others appear ridiculous. With certain graces of person and manner certain styles visibly agree, but for the majestic woman of slow speech and dignified manners to adopt the dress and vagaries of a little coquette would be nothing but a humiliating burlesque. Each style has its special and distinct charm, and, as tastes differ very considerably, each is sure to find its special and peculiar admirers. Let every woman, therefore, be content with her own stylo, only seeing that she make it as perfect as possible, refining and improving wherever the need of such process is made apparent to her. It is often a matter of surprise and regret to me that some of my acquaintance think it unnecessary to keep up at home those good manners for which they are distinguished abroad. Once a lady, always a lady," should be every woman's motto. The courteous expression, the kindly concession, the sacrifiee of one's own comfort" for the sako of another's convenience, and all those graces exercised involuntarily by well-bred persons on behalf of strangers who are nothing to them should surely not be omitted when we come in contact with those whose daily lives are blent with ours, and whose goodwill and loving esteem we should ever sedulously cultivate. No woman can invariably be graceful in public who does not place some constraint on her attitudes when alone. A woman who, in the solitude and priyaey 0: her boudoir or bed chamber. lolls about in (lasy, grace- less attitudes, and exercises no command over her movements, will be sure to commit herself when she least desires to do so. Some women arc born with a natural grace of manners. I have seen children who played with their toys iu the daintiest fashion, and, without the slightest suspicion of affectation, would fall into the most graceful poses imaginable. But such examples are rare, and a careful course of systematic training is more often necessary to overcome the propensity to gesticulate awkwardly, no less than to soften and round those asperities of speech and motion which in some children are habitual. I do not commend artificial elegance, but trained harmonies of speech and gesture are not lightly to be so called; we may just as well say the girl who begins by dancing awkwardly is affected when she has by training learned to express beautifully what has often been styled tl1e poetry of motion," Ham is always a favourite dish, but, grnnting that, a ham has been properly cured, its flavour may be considerably enhanced" it it be cooked in the following way :—Allow the ham to soak in vinegar and water for a few hours; then put it into plenty of water when it. boils add two heads of celery, two turnips, three onions, and a bunch of savoury herbs simmer slowly for some hours, till the ham is cooked in fact; this will be when the rind peels off easily; when cold, cover with bread raspings or glaze. Glaze, with directions for using, can he bought at any Italian warehouse. When further ornamentation is desired choose your design of ringa, single or interlaced lines, or cross bars, or what not. Melt some butter, and then form u. funnel of writing paper, leaving a small oririce at the one end, pour the fast-cooling butter into tho tube and form your device as it trickles through, tha aperture.
---EIN HEISTEDDFOD.
EIN HEISTEDDFOD. (OUR EISTEDDiOD.) YN NGWYNEB HAUL A LLYGAD GOLKCNI. In the Face of the Sun j and the Eye of Light." CYFIEITHIAD O'R SAESONAEG GYMKAEG. Daeth un-ar-hugain o gyfieithiadau i law, ac yr ydym yn canmol ysbryd gwrol ein beirdd ieuainc am fentro cyfieithu darn mor anhawdd a'r un canlynol:— SELECTED PASSAGE FlION: BURNS' TAM O" SHANTER." But pleasures are like poppies spread, You seize the flower, its bloom is shed; 0.. like the snow-fall in the river, A moment white-then melts for ever; Or like the borealis rflce, That flit ere you can point their place Or like the rainbow's lovely form EVRllishiug amid the storm. Fel y gwelir, cymherir pleserau i bedwar o wrth- ddrychau mewn wyth Uinell. Y mae cyfieithu barddoniaeth cyffredin yn orchwyl lied anhawdd, ond y mae gwneud cyfiawnder a darn fel hwn yn orchestwaith. Y mae rhai o'r ymgeiswvr wedi camgymeryd ystyr y ddau air borealis race." Y goleuni gogleddol, yn ddiau a olyga y bardd, oblegid y mae hwnw i'w weled ar rai prydiau yn symudvn barhaus,yn union fel pe byddai rhywun yn symud goleuni o'r naill fan i'r llall. Wrth ystyried pobpeth, teimlwn yn falch fod cymaint wedi vmgeisio ar y testyn hwn, ac ni fynem er dim ddigaloni yr un o'rymgeiswyr wrth wneud y sylwadau canlynol ar eu cyfieit.hiadau:— DAFYDD.—Hynod gyffredin. ac y maeyri gwneud cam a chystrawen y Gymrneg wrth geisio cael geiriau i odli, fel enghraifft, ysgrifena :— Net) fel ar afon eira'n diseyn Am foment-gwyn-am liyth y terfyn. TWM O'R LLWYN.—Y mae hwn eto yn euog o'r un bai-y mae yn llugurnio iaith er rnwvn odl, yr hyn sydd ar unwaith yn ei wneud yn anfarddonol. CYMRO.—Y mae hwn yn gyfirithiarllled dda, ar y cyfan, ond nid priodol cyfieithu borealis race'' yn ach v gogledd." lEUA FERDDIG —Ts'id yw yn darllen yn ystwyth, ac y mae wedi myned yn mhellach na Cymro," a chyfieitha yr un geiriau yn "deulu eithafion y gogledd." IESTYN AP GWEGANT,—Y mae hwn yn myned yn mhellach fyth, a gesyd y burned a'r chwechfed llinell fel hyn :— eu fel cenedl yr hon a ddiflanodd Cyn gellid nodi y fan lie v buodd. Cyffredin iawn ydyw y cyficHhiad trwyddo, AEROKYDD.—Y mae hwn eto wedi camgymcryd yn yr un fan, a chymer y geiriau yn dynodi gwyntoedd gogleddol." Ni chlywsotn erioed fod gwynt y gogledd yn fwy anwadal na rhyw wynt arall, ond gwyddom hyn, y mae yn oerach, a bydd yno yn rhy hir o lawer bob amser. Lied gyffredin hefyd ydyw y ddwy linell hyn :— Neu'n debyg i'r eira yn disgyn i'r llyn, Am fyriyd yn ganajd-Jlwyr dodda'n 01 hyn. ALEPH.—" Gogledd-wyntoedd" ydynt ganddo yntau, ac nidyw ei gyfieithiad yn gyffredinol ond pur ddirym. Y mae y ddwy linell gyntaf yn hynod dlawd:— Ond fel y pabi ymwasgar mwyniant, Os teimlir gwuIl syrth ei ogoniant. GOMERIAD A GOMERIAD (2).—Hynod 0 gyffredin ydyw y ddau hyn. Dull clogyrnaidd ydyw yr un canlynol i eyfansoddi, ac os myn yr awdwr ddyfod yn feistr mewn barddoni, rhaid iddo ddiwygio yn hyn:— Neu fel yr eira uwch yr afon, Am fynyd bydd, mwy tawdd i'r eigion. A WANDERING PILGRIM.—O'r braidd y mae hwn wedi deall y darn, ac y mae wedi newid ei ddull- wedd. JOHN JONES.—Y mae hwn wedi ychwansgu at gvmhariaethau Burns, ac yn eu cymysgu fel hyn :— Neu fel yr eira ar yr afon am fynvd yn wyn Yna collant fel cysgodion cymylau ar fryn. UN GARAI DDWYN Y GORON.—Y mae hwn yn gyfieithiad da gyda'r eithriad o'r ddwy linell gyntaf, pa rai sydd yn ei anurddo:— Ond fel taenedig babiau yw 'R pleserau, wrth eu dal drv'n wyw: JOHN IIUGHKS.—Dymunem longyfarch yr ym- geisydd ieuanc hwn, ond rhaid iddo astudio mwy ar y Gymraeg os myn ei meistrioli i'r fath raddau fel ag i allu cyfansoddi yn gywir. Dywed fel hyn:— Neu tebyg yw i lun a ffurf yr enfys hawddgar Y11 nghanol storm fe a ei hadlewyrehiad llaelur; Nid yw yn dweyd i ba Ie y mae adlewyrchiad yr enfys yn myned. Bydded iddo ddal ati o ddifrif ac osgoi pethau o'r fath hyn. AB GRAY.—Nid oes llawer o ystwythder bardd- onol yn y cyfieithiad iiwn heblaw fod y geiriau olaf yn cdli fel hyn :— Neu fel ar afon cawod eira Yn wyn :1.111 eiljad-a ddifia1:t; PROFIADOL.—Y mae hwn wedi liwyddo i Gym- reigiddio y cymhariaethau i gyd, ond digon cyffredin yw y faiddoniaeth; fel enghraifft dywed:— Pleserau sy'n debyg i babi i agored,_ Cyffyrdder a'i ei degwch syn myned. ANTHROPOS.—Gellir aweyd yr un peth am hwn eto, ac y mae cryn debygrwydd yn y ddau gyfieithiad. Nid oes llawer o rym yn y ddwy linell hon :— Fel ar y Hi bluen ciry Rhyw ciliad yw cyn llwyr ddiflauu. SILAS.—Y mae hwn wedi llwN-ddo i wneud cyfieithiad ystwyth iawn; ond nid ydym yn meddwl fod y ser gogleddol yn gwibio mwy na ser eraill. Bydded i Silas ddilyn yn nilaen, a bydd yn sicr o ddyfod yn fardd da. BECCA.—Y mae hwn wedi myned dipyn allan o'r gwreiddiol, ac wedi dwyn rhai syniadau newydd i mewn oud er y cwbl nid ydynt heb yn haeddolo ganmohaeth. Y mae ei gyfieithiad fel hyn :— Diflanu mae pleserau'r bpi, Byr 'yut fal rhosyn yn ei wrid; Am enyd pur fel gwyn Ar afon Jdn-ond tawdd er hyn Neu lewyrcli y gogledd-wawl ciii", A'r tlysion dywyniadau pur Neu fel heirud liwiau'r enfys gain, Ond pan ddaw'r 'storm difiana cbain: R. G.—Cyfieithiad da, wedi ei wisgo mewn iaith dlos a barddonol; ond nid yw wedi cael gafael ar gymnariaeth y bardd yn y burned a'r chwechfed llinell: Y mae fel y canlyn:— Ond pleser sydd fel pabïn daen, Pan ynddo, dlWâl blaen; Neu fel y gawod eira giiii Ar ddwfr yn toddi yn y fàn Neu fel y chwim a-.vyra.wi hyut, A gilia ymaith fel y gwyut Neu fel yr enfys hawdd^ar lun Ddiftana YIl y 'storom flin. MINIMUS.—Y mae hwn yn dda iawn, ond y mae yn arddangos diofalwch mawr mewn sillebu, yr hyn sydd yn ei andwyo. G resyn fod y fath ddarn naturiol yn cael ei fritho gan gymaint 0 wallau DymJ. fe Pleserau, mal cwsg- flodau ant Ar wasgar pan eu easglu gant. en fd yr eirlen ar y llyn, ad ynt and enyd faeh V/I wyn N eu fel v gogledd-Iug-,}'1li By' Yn chwareu ar yr wybren fry. Neu fel yr entysg, gwycli ei gwawr, DIfla.nont yn y tywydd mawr. D'Vnod11. y ilythyrenau italaidd y gwallau. WILLI.4.M SALSBRI.-Dyma. gyfieithiad rhagoro Y mae y cymhariaethau yn gyflawn, ac wedi eu gwisgo mewn iaith syml a barddonol. Y mao y: ymgeisydd hwn wedi anfon cyfieithiad arall, ond Did yw agos cyst ala hwn. Eiddo William Salbbri gan hyny, yw y CYFIEITHIAD BUDDUGOL. Ond mae pleserau'n debyg i'r pabi teg ei hoen,- Ymeflwch yn y blod'yn, ac ymaith syrth y bloen Neu fel dipgvniad eira i'r afon fawr ddi-lyth— Y11 wyn am foment, yna'n toddi yn llwyr am hyth 1'eu megys y goruchion YII yr ogieddol ne'— Yn 8aethn a ditlanu cYlIj!;e!¡wch bwyntio'u lie en tel yr enfys hawddgar ar fron y cwnl1\'1 gwlaw, Yn llwyr nghallol y 'storm sy'n Ifynu draw Anfouwn y wobr j'l' cytieit.hydd, set RICHARD HUGHES, Grocer, Mill-street, Pontypridd.
DIAKEB G YIREIG,
DIAKEB G YIREIG, Y mae 21 0 ddetholion ger ein bron wedi eu hanfon gan Gildas, Excalibur, Dan, leuan Fuddig Aeronydd, Gomeriad, T. M. Jones, Dafydd, Cymraes, Dolvvar, Sigma, R. G. D" la go, A, M. D.. Hwntw, Eithinen, J. R. Samuel, H. EYalJ, Anthropos, Brutus, Minimus, ac v r11:10 guu bron bob un 0 b0uynt fwy na 11n ddiareb. Yr ydym yn ddjalchgar iddynt oil am eu cynvrchiori, oblgyd v maent yn deilwng 0 ganmoliiu-th "nd rhaid i ni adaef mai 0'1' braidd y deuant i fyny iVri dysgwj-iiadau. Y mae rhai 0 honynt ag yr hona y Sneson hwynt fe) yn pcrthy* iddynt iiwythau, 1nqn s- Y ear gwir rncw:i ing v gwelir tThe friend I'ndeeu is seen in need). 0'1' ddau clörwj, lleiaf (Of tWI) wrongs, the least the best). A hauo ddrain n'1. fvdded droednoctk (Who sowetl1 thorns let him not be bare-footed), &i1. Ac y mae eraill 0 honynt yn wirioneddau cyt nabyddedig gan bob cenedl Gnstionogol- Gwirionedd yw mab liynaf Duw (Iruth is the eldost clJild of God). Rd, Dduw, heb ddim ( Without God, without nothing). Ofner na otn angan (Fear Him th:J.tfr:aretll nG death). Ond clyma- olygwn wrth ddiareb—brawddeg gyffredin sydd yn adnabvddus i bawb, ac yn cae] eí mvnych ddefnyddio i ddansros rhyw wirionedd Heu ffaith, megys y frawddeg hono, Esmwytl: gwsg, cawl erfyn" (neu h1tes maip," fel y dywedant YI1 y Gogledd) ond ychydig iawn 0'. cyfryw sydd yn mysg y rhai hyn, Y mae yr hen ddiareb hono, "LIe caffo Cymro cais," wedi ei ehyfieithu feI llyn gan un 0'1' ymgeiswyr, Where a Welshman has, will he sefk." Y mae gan Dolwar dwy ddiareb dda:- Ni ehel grudd gystudd calon (The COlllltenauce hides not the heart's sorrow). G-oreu canwvll pwyll i ddyn (Patience is man's best light). Y mae gall H. E. dair-ar-ddeg 0 ddiltrhebion, ODd nid oe" ond un 0 honynt yn ddealladwy heb ry. eglurhad ychwanegol nag a g-eir ganddo, sef Hael Hywel ar bwrs v wlad (How lavish Howell ùf tile public purse). id oes neb a ddeall y ddiarheb ganlynol hab ry* egluihad ami Cysgais lies gwelais Gaergwrle (1 slept tilll saw Caergwrle). ac y mae yr oil 0'1' un natur. Y mae gan J, II. Samuel bump 0 rai campu3 gytia sylwadau eglurhaol amynt, ol1d y mile ei gyfieithiad 0 honynt. weithiau yn gloff a phryd aral1 yn anghywir. Dyma hwy :— 1'n ngenau y sach mae cynilo (In the lips 01 the slwl. economlse the meal). Cystal ar droed a ma.rchop;aeth ffon (,o good on foot. as a stall 3 ride). Gvvyn yw pob mynntd nes c.vrhaedct.ei ben l White i every mountain before reaching the top). Ni ddiffvg arf ar wa egwych (A famous servant need no weapon). Ni eliymmydd dedwydd a dadleu (Discussions the happy like not), Credwn ei fod yn gwneud earn A'r ddiarbeb o1at Y rnae dadl deg yn fuddiol boh Ameer, ac nid hyny a olyga, ond cecraeth—y dadleu er mwvn dadleu a threchu, heb dalu 8ylw i reolau dad leu. aeth na rhesymeg. Y mae grm "Minimus" hen ddiarhebadnabyddug iawn, yr hon sydd yn ddigon 0 esboniad 8rni ei hun, a rhaid i bawb gyfaddef gwirionedd yr hya II. ddysgw, saf:- Gwyn y gwel y fran el chyw, Er fod ei ii" "11 1()w-ùù\1 (The young c'raw in the mother's ight" Tho' black I\I! jet, is lily white). Da iawn hefyd ydyw eiddo Brutus Ami gnoc a dyr y garreg (Continual dripping wears the stone). Hwcli fud a fyt y sO'1l1 Ilyd ,St.ill waters run deep). Curwch vr hairn tra byddo yn boeth (Strike the iron while it's hot). Ystyriwn eiddo "Brutus" n. II Minimus" yn oreu, a rhanwn y wobr rhyngddynt. Rnw priod Brutus ydyw- J: ALLEN JONES, St, David's College, Lampeter. Ond nid s'dym yn gwybod pwy yw "MINIM\1S," yr hwn yn ddiau 1\ anfona ei enw priodol er eÍlI galluogi i anfon y wobr iddo;
Y BARDD CYl\IREIG. .
Y BARDD CYl\IREIG. TO CORRESPONDENTS. ENGLISH Poetry intended for insertion in the Weekly Mail should be addressed to the Editor, at the Cardifl offices of the paper; all Welsh compositions to Dewl Wyn 0 Essyllt, Pontypridd. CORHESPONDKNTS who wish their unused MSS. reo turned must in all cases enclose stamps for that p'.irposp.
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tj3~ Ymddengys parhad 0'1' ysgrif ar Eirdard& iad y Gymraeg yn ein nesaf.
BARDDONIAETH;
BARDDONIAETH; ANNIE MARY. Anwvl ferch Mr. a Mr, Phillips, Twynyrodyn House, Llansamlet. Arferai Annie Mary Ddyweyd yn loreu iawn, Mi garwn fod yn angel!" 'r oedd Y11 angel cyn pvyanawn, lr wyf yn cenfigemi Wrth Annie Marv fach, Am nycliu ond am rhyw chwe' mlwydd C-1J bod yn lythol iaeh, Ces' lawer storom ar w in vstod foes erioed, GwP) fyo. 11a fuaswn farw Pan ddim ond chwe' mlwydd oed j Bu fIIrw Annie Mary Cnl teimlo'r boen 0 fvw, C\'I1 cyffwi-dd bran 11:1' ddaear bon Ehedodd fly at Dduw; Ni welais Annie Mary Ono. dwywaith yn ly op?, A theimlais rhyw farwol faio F'ai iddi deimlr, !ne9 Yr oedd yn hyn nu'i lioedran A nef pi hun, 'Ii un fath a ii, ac acth a hi o gyrhaerid gofid hlin. Bu chwaer i Annie Mary, 8d Nora Itebcl fwyn. Arltrai Annie Mary udwevd, A'i llais yn llawn o swyn; Mi wn pa Ie mae Nora." GaD bwyntio tua'r net, Ac yno'n glyd mae'r ddwy YIl nghyt 1'n canu iddo }f Pan laniodd Annie Mary Yn ich J'T ochr draw, 'Roedu Nora lach VII fytliol iach Yn estyn iddi 'haw A dwg e1 chwaer dan goron glaer, Ger bron yr 01-sedd wen; Bvth, byth mae'r ddwy yo canu mwy '1'1' G wr fu farw ar y pren. Mae'n rhaid i natnr egwan I gael ei J'fordd i gyd, Mae'n rhaid i natur \10 Wrth Ian y bedd 0 hyd Er hyny. hoff rieni. Mae cysm cryl i chwi- Mwy genych ddwy yn eann mwy Ger bron yr orsedd fry! Mae Nora dros yr afoll, Ac Annie Mary mwy, A chulach 'ntwr yw'r af01l fawr, 1 groesi :1.ttynt l;wy Cliwi groesweh ailon anjiau Yn awr heb neinawr traw, O'u clywed hwy, y rtdtdwydd ddw Yn canu'r ochr draw Mae'ch cysylUiadau pend Y11 awr YIl ligwlad y lId. Y nae deb dwy anwylaf mwy Ger oroll ei orsedd Et l'a beth sy'r ochr yma. 1 serch :5-'11 hwy ?_ Oh dim at sy' tuiiwnt i r lli Lie mae y Udedwydd ddwy. Isnvypf YR EOS. Iilwys awenydd lleidol-yw "1' CM; Ghwareua dön I1wnol, b nodau pencaniadol, Ar wydd ir. y II v wcrdd ddiU. EQs JfXFt; CROESGYlAD (ACROSTIC) William George, mcbyn 1\1r. a Mrs. Georg. Seaborne, Emporium House, Fleur-de-lis; W d, febyn tlws, 1\ ddaethost ti 1 eni 11 ein serchiadau, L lifeiriol rin dV wenau di L lwyr dal am bob trallodl\\1. I r-lwysion ddail y prydferth \'6s: A phelydr ter yr heulwen dlos, :M 11.1 yn ardduno'th ruddiau. G olygus drem y mehyn ddwed i ni, E iOd yn Haydn nell Handel fawr el fn, O hyd chwareuai ei lais pereiddfwyn lion K hyw alaw fach lies ^sgufnhau eiu bron, G obeithion taù a main 118. cIJroeser hwy, E styned nd ei lhiniau iddo mwy. Stores, Fleur-de-lis. J. A. JOXES (Cynfryn)