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tiUNSIF FOR THE LADIES.

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tiUNSIF FOR THE LADIES. Sousa's Visit: A Musical Furore. Manificent Performances by His Band. Spring Fashions Latest and Prettiest Ideas. Well Sousa's band has been arid gone. and on the whole I think those who heard it will admit it came up to expectations. Yet Swansea displayed a lack of appreciation of the visit which is surprising, when you con- sider how world-wide i" the fame of the composer and conductor and how universally popular his marches are. At any rate, on Saturday night the floor of the Albert Hall Was but sparsely occupied, the balcony was much better filled, and the gallery was crowded to the ceiling, which suggests that too high prices may have had something to do with it for there are numbers of people. who, for the sake of an extra shilling, will refuse to avail themselves of the chance of a lifetime in hearing a great actor or the like. At any rate, the popularity of the entertain- ment seemed in the inverse ratio to the fees. In. the afternoom, of course, the people, who i after all form the backbone of the audience. he the five shilling seats never so well filled, were attracted to the Swansea v. Newport match, and a poor audience was but to be expected, but in the evening they rallied in their hundreds, and the gallery at any rate Was crowded. In fact, the chief memento of the visit a good many cairied ia-way was a splitting headache, from the execrable atmos- phere and heat in part, and from the terrific volumes of sound which the banal evoked, on the other hand. There is no mistake about the organisation being drilled to perfection, and the incessant, daily practice and rigid discipline has made it more like one instrument tlian even a num- ber of players of admirable combination. It worked at a tremendous rate—under an ever- lasting pressure, and •"attacked'' every item on the programme with headlong rattle and dash, while Sousa himself conducted in a frenzied manner — a regular whirlwind of waving arms and palpitations from head to foot—whick gave us a sight of his mannerisms in their fullest degree. At times the "uproar" "—I can use no other word -was simply terri- fic, and the hurricane of sound drowned even the applause of those a few yards off from you, and fairly made the windows rattle. rlhe chief defect of the Albert Hull at such times is the incessant clang and ramble of the fre- quent electric cars, which servo as a very ef- fectual antidote to the magical influences of Rome singer whose voice has transported you into regions ethereal, but on this occasion the cars could not have h-ard themselves! Whenever a crescendo occurred on the music score the band simply let itself go, and pos-i- tived thundered at the audience, while Sousa, himself seemed as frantic as his musicians But there were welcome ases in this desert of sound, places where solitary instruments had the chief parts, and in these a delicacy of treatment was exhibited which was as surprising as the vigour exhibited when the band, as a whole, was manufacturing a very tornado of sound. The enthusiasm of the audience was throughout of the highest degree, and Sousa. thoroughly justified his reputation for liber- afity in the matter of encoies. Scarcely had the band finished and the applause began when he would switch his musicians on to an- other piece with a nervous and tense raipdity thoroughly American. Two of the encores aroused tremendous applause. Ihov were our finest national march, the Englisn •'Mar- seillaise," if 1 may can it so—the "Men of Harlech," and Brinley liicliards' melody: ".God Bless the Prince of Wales." a composi- tion which, from the musr d point of view, eclipses the National Anthem—though that is Perhaps because we hear so little of it, and are therefore not jaded with its beauties Somebody once, with brutal trankness. called the anthem "a barrel organ tune," and perhaps only its associations, which make criticism almost disloyal and sacrilegous, prevent that /act. from being more generally recognised'. Ilie band in the two above pieces had less of its customary American "slap dash. and more "f that slow, moving British majesty, which enabled us to hear the compositions at their best, and the rendition of the "March of the Men orf Harlech" was quite thrilling. Sousa's new march, "Imperial Edward." also caught the popular fancy, and was heartily ap- plauded, but we had heard some of the other Items on the programme involuntarily ad nauseum, from Italian purveyors of extremely dubious melody, and their perto: ma nee by a band which is of unquestionably high ability had somewhat of that weird unappropriiute- ness which would be attached to a music hall solo being given by the heroine in a Wagner operil. Sousa, who had previously performed at Merthyr, goes on to London, 'and subse- quently, I believe, to Paris. The Grand Theatre promi-es us a brilliant Eas ler attraction in "Monsieur Beaucaire," which was originally—and still is—played in the London Comedy Theatre, with Mr. Lewis Waller in the title-role. It has been one of the most prominent successes of a theatrical reason which in London, at any rate, has been remarkable- for its successes. "The Light that Failed." "Insurrection." M he Marriage of Kitty." "Old Heidelberg, and ttutnv others, are all ''drawing'' spiendidly m the Metropolis, and I trust we shall see a few if not all of them at Swansea before the year ends. Sir Henry Irving, by the way. is to produce "Dante"' at Prury Lane, and Miss Ellen Terry. "The Vikings" at the. Imperial 'I'heatra, both self-descriptive title*. "Dante" Is to be magnificently staged, and one may expect the Drurv Lane management, pre- eminent as they have ever been at tableaux on a grand scale, to surpass themselves in the Inferno scenes. Sir Henry returns to the Provinces later in the year, when theie is a chance of a. return visit here. Sir Chas. Wyndham and Miss Mary Moore's flying mat- inee should not. be forgotten either, though it Will occur at e rather inconvenient hour oil Í\ Monday afternoon. Trimmings are ind.td 1 ^i-nmirg mole and more expensive and el.ibi.ra-.e, each new idea seems to be more extravagant than the last, and I a great amount of mnteual is employed. L Full skirts of kilted pie-.ts and tine tuck". or countless ruchings or shirtings^ seem nic. Pensable in sioft nre1 erieU. Some of the Kowns now exhibited in our L,cling ."b:,ps ate So covered with motif- and applications, tas. sels and buttons, and what not. that, as I *=ud just now the dress ii.se11 is almos losL in e?pen«ive details. I consider this most inar- tistic, nor can five hundred tucks of chitfon on the tail of a skirt make a. gown more becoming than ten big ones. A lovely colour and go»u line-; in a gown make a giVl much more at- tractive to the eye than millions of tucks and ''crrnighone st it filing. I hear thai all the SHAKOS! gills ill Paree" have a touch II! block somewheie about their dress; on one it is a chou. Oil Rnother a smart black i-ravat. or a sash, or stole ends on a Russian i, but how desir- able a thing it is to have that instinctive knowledge of how to di^-s. which seems to Je the birthright of all vo' aaai o: the Latin 1 arc., Take a French girl'- veil. for in- stance. It is not a piece "> rrunipied black ?fet pu on anyhow for the purpose of keeping Jlei' liat on; it is a feature aiel a veiy impor- tant one, of her dies- the smartest veils 41 e. quite elaborate in design. Black scrolls on a white or grey ground with a fancy border black about two jneh.es deep. A plain bailor hat of a Erencli shap*. whico is turned 5P a-ll round—swathed wiih on." oi th»*e crisp decorative veils, looks sua rt "lluugh for any- thing. 1 -11 i suppose every girl who owns an umouna bus wondered at some time or other, why it 18 that .she can never roll it up as compactly :>T|d neatly as it was rolled when she bought it Instead of twisting wieh the handle. y°u should take hold oi the umbrella- just above the covers. Tlo-e ijoints naturally !J? c-ven(y around the stick. Keep hold of these. Vrossing them tightly against the stick, and 'ben roll Up <-|ie c^Ver. Holding the ribs pre- ^(:"t>s them from getting twisted out of place bending out of shape. 'I hen the silk is o-uiid to fold evenlv and roll smooJi and wght. ■i A^'eadv. many people are making cotton •birts, and wear'beneath their costume coats', and L have been asked for advice with respect to fast, colours. Now I think it is impossible to tell whether a colour is fast before wash- ing, and so by far the safest plan is to "set" the colour before it goes to the tub for the first time. Another thing, delicate shades often take on a second washing unless "set." One of the best methods of setting delicate colours is also the cheapest and least trouble- some. It consists in simply making a strong brine of cold water and salt, and soaking the garment, from twelve to twenty-four hours, Of course, this should be done just before going to the laundry, and the salt should not be allowed to dry into it. Shades of pink and green, and colours once set this way will be bright as long as it would be "possible to expect. A strong solution of alum and water is good particularly with blues, and the more delicate shades of brown; but its effect is not so last- ing as that of salt, and it is sometimes neces- sary to renew the both after the first three or four washings. I have metl adies who re- commend the use of solutions of lead and cop- peras but as both these are poisonous drugs, it is better to avoid them—certainly if there a.re children or animals in the house. In choosing cotton, remember that pink and reds will not fade as soon as paler colours in the sunlight. Carnation is the new title given to what was previously known as rose pink. It is a near relation to the delicate colour vieux-rose of old times though it has the zest of the true carnation-red about it. Vieux-rose was always rather a subdued and aesthetic varia- tion of the tint. Allied to navy blue or black cloth, in the form of the linings and pipings of the many capes or the pelerines now so fashionable, and in company with a ion,ible, in coitip, toque all a mass of the colour, it is a. happy choice among spring tints. I notice that some of the most successful toques are per- fect harmonies in red. One which arrested pleasurable attention in one of our shops the other day had a crown built of carnation red tulle gauged by hand. The brim was a mass of geraniums of the softest and tenderest scarlets, graduating to pale pink. At the back, wings of tulle fell over the hair, made of tulle representing all the colours of the flowers employed. There is a tendency towards the curtailing of the trained skirt, "which has held its own indoors and out fur the past few seasons; and this, of course, is necessary for a walking costume when the box or knife-pleated style is selected, as otherwise the weight of the skirt would be far too great, and it would prove somewhat unmanageable to the wearer. These pleated or tucked skirts generally start from the lower edge of a shaped band or empiecement which tits the figure closely just below the waist. Indeed, it seems that this hipcyoke—as it is called, is to be almost an indipensable feature of the new skirt. The reason of this is that the fashionable fulness must not be permitted to invade the hips lest they should be made to seem clumsy. All must there be Hat and neat. Sometimes these yokes are enhanced by stitchings, or again by lace or passementerie, everything depending on the material used, and the char- acter of the toilette. The new plateau hats, which can be pinched up and pleated into graceful and be- coming curves, never look better than when trimmed with sweeping ostrich feathers; they they strike the pieuresque note which still sounds strongly in the millinery symphony. I heor that these hats, and many others. are being prepared in pure white crinoline straw, as rivals to cream-colour. But this fact, must not be overlooked pure white suits only very dark complexions, and the positive blonde with clear rose and lily complexion; all others should dread and avoid it. There is no doubt about it wide brims and extreme flatness will characterise the hats of the future more than ever, reverting in fact to the true mushroom shape. I believe I have already told you that the long cache-peignes of lace'and ribbon will give place to the all- round drooping curtain, which still further enhances the flat appearance of the hat. Nat- urally. such headgear takes a great deal of wearing, and is not likely to be much beloved by a short, stout woman. Still it lends itself to adoption with the drooping shoulder effects and full skirts of the present fashions.

OUR COOKERY CORNER

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