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-TO-DAY'S SHORT STORY.J Flannigan's…

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Billiards. 26.-CANNONS OFF THE TOP CUSHION By R!SO LZVI (Copyright). In the position shown on Diagram 594 the screw cannon off the cushion is best played by means of a half-ball contact, for it -is much easier to ensure correct contact when using a half-ball stroke than when playing to ta1)e a ball thinner or fuller than half- bal1: In certain variations, given last week, of the position shown on Diagram 594 a half- ball stroke cannot be used, as such a stroke would throw the first object ball on to the second one. Diagram 595 illustrates such a position. Here, as a' half-ball stroke would cause the red to hit the white, a somewhat thinner than half-ball stroke must be employed .?.t?RA M 59:).—A '-cre?K' 595. A screw-cannon oil the top cushion Trf-d ball on the spot. Cue bail and object whit" bctii 2iill. ftoiu the red. All three bails in a straight, line. t-'nlfs* thp red ba t^ken quite tbinlv it will kiss the object white. for a cannon off the cushion, and consider- ably more screw must be used to compensate for the thinner than half-ball contact with the red. In this stroke some check side- left-hand side in tne diagram—may be advan- tageously used in order to ca.use the one ball to r,,?,b.)und more squarely from the cushion than it would do as the result of a plain-ball screw. Whereas, however, the half- ball screw cam;an off the cushion illustrated on Diagram 594 is an easy enough stroke and quite within the compass of any mode- rate player when played in the manner already described, the thinner than half-hall screw cannon to avoid the kiss, as illustrated ou Diagram 535, is a difficult stroke, and quite beyond the ordinary player. An alter- native stroke to this thinner than half-bali screw of the cushion is a canno'n off the top cushion, hitting the cushion first, but suoh a stroke is also- a difficult one owing to the ivioety of judgment required as to what point on the cushion to aim at. Other alternative strokes are a steeplechase cannon, a masse cannon, or a pot, but all these strokes are extremely difficult. In the position shown on Diagram 594 the pot is also an alternative stroke to the cannon, but even this pot, whilst not as difficult as a pot with the bails situated as shown on Diagram 595, is any thing but an easy stroke to judge. Diagram 596 illustrates a position which is typical of positions which often occur. The only stroke at ail on is a cannon, but a ball- to-ball cannon is impossible by means of a medium-pace half-ball stroke even with extreme running side. A ball-to-ball cannon is, however, aa eaay enough stroke when played as a forcing stroke, and this is the way the ordinary p-twer plays it. Such a stroke, however, sends the balls flying all over the table, and the player who plays the ")annon .in this manner trusts to fortune for "his next stroke. Instead of the cannon being played by means of a banging stroke it should be played off the top cushion, and not much more strength should be used than is necessary to cause the cue ball to reach the second object ball. The moderate player, however, when playing this cannon off the top cushion generally plays it in the wrong way. The position illustrated on the dia- gra.m is such that not only is it impossible to cannon direct from one ball on to the other by means of a medium-pace half-ball stroke, but it is likewise impossible to get the cannon off the top cushion by means of a half-ball stroke without bide. In fact, were the cannon to be attempted by the latter stroke, the cue ball's line of travel after its rebound (from the top cushion would be quite wide of the red. The moderate player, recognising- this H.e easily, aims for a thinnrsh contact with the first object ball in order to prevent the cue ball going round the second object ball, and also with the Diagram 535.—A cuui.-ojt utf tlie top cusl1l0n. A Iiitlf-buU stroke with plenty of chock side. Red biiil on tt), ,pot. Ohjecl ilbit,e 104 inches from the side cushion and 10 inches from tiie top eusl)|on. Cue bat! 17 iii,be? from tl?, side cushion and 53 inched from the baulk cushion, | same enu m view often plays the stroke with some check side. As already explained, however. thinner than half-ball strokes played from a distance are always uncertain j strokes owing to the difficulty that exists in taking the object ball as desired, and the use of check side further coniplierle, matters. In fact, should the cannon 1121der discussion be played as a thJnner than haJf- ball stroke it is better to use no side and rely upon correct, contact with the object ball. The most reliable, and consequently the correct, way. however, of playing- this cannon is by means of a medium-pace half- ball stroke with plenty of eback side. With the balls placed to the measurements given under Diagram 596 a half-ball stroke will cause t-he cue-ball to strike the top cushion at a point, which is practically right behind the red—the exact point of contact with the cushion will vary slightly according to whether the stroke is played with ivory balls or wit.h bonzoline balls-and strong check side will cause the cue ball to rebound from the cushion quite squarely on to the red— as shown by the continuous line on the diagram. Any fair player can be pretty certain of taking an object ball correctly when playing a half-ball etroke, whereas even really good players are often at fault when they have to use a thinner than half- ball ctroke. consequently it is easy to under- stand why in the position shown on Diagram 595 the lialf-ba.11 stroke with check side ig much sounder than the thinner than half- ball stroke with or without check, side. Of course, in strokes of the nature of the one under discussion, the amount of check jdde- which must be used with a half-ball contact will not always he the same, but the necessary amount can always be gauged by calculating the point on the cushion upon which cue ball will impinge as the result of a. half-ball stroke. This hal £ -ball stroke with check side can oiten be just as advan- tageously used for a cannon off the side cushion. Mr. l^cvi's articles appear every Saturday in tlic "Evening Express," No. 1 of this series appeared on October 3.

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