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To-Day's Short Story.

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I Passing Pleasantries. I

"MONTE -CRISTO"I

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I WOMEN AS FELLOWS

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I LOCAL TIDE TA&LE

IFOOTBALL

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I GE1 THEIR DE-SIREI

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BILLIARDS.I -0—..

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BILLIARDS. I -0 — THE STROKES OF THE GAME. (COPYRIGHT). I [By RtSO LEYI] I 3.-CANNONS TO LEAVE AN IN-OFF. TWagimm 538 shows another position—a I. modifioataon otf the ome illustraited on Diagram 532 (given two weeks ago)-from which, by means of a well-played oannon, :position for an in-off from the white may be left for the next stroke. This stroke, to leave the white in position for an in-off, whitet not exactly a difficult one for any fa.ir player, is one t-h-at requires good ha-ndlinig, for not only must the strength be Weill g-aavged but the one ball's contact with the object white must also be very correct, otherwise position will be lost. For example, I DIAGRAM 538.—A oannon off the cushion) getting full on to the wihiite to leave arn in-off. should (the erne ball aa it leaves the cushion take tihe object white rather thinly on the side wirioh is near the cushion, instead of full or mearly full, position for an in-off will not be left. If. on the other hafffd, the cue ball as it leaves the cushion drops gently and full or nearly full on to the object white position for an in,-Off will be left to oontajrae with. As a rule, the in-off will be a screw. 9 Diagram 539 ahows a poetftkm which is typical of many others that occur at the top of the tabic. The cannon is a simple baJi-to-ibadl stroke, btrt the only lea/ve to play for is poerition for an in-off from the white. In order to get this portion. very aoeurarte conr-aict witth the objeot white is neceseary. When the stroke has been well played—and gentle strength is a sine qua Mon—t.he object baJl travels more or less in the direction indnoaAed by the intersected line, I DIAGRAM 539.-A gentle ball-t.o-ba.ll oaoooa getting nearly full on to tie whate to loave an in-off. stoppin-g short of the side auBhaon, and the one bail, tra-Telling only a short dasta-noe alter ilte oontact with the object white, oomes to rest in..a good position from which to pl-ay an in-off from the white. Diagram 540 shows a. position very fmrilar to the one sttown on Ddagracn 539. but instead of the cannon being an ordinary httLf-ball cani-ion it is here quite a thin œ:rmon. The stroke is, hover, qnite an ea?y o?M awmg to the cue ball being i3 near the first object ball a.nd owing also to the eeoond object ball being close at ha.nd. The cajinon should be played in a similar manner to the qie illustrated on Diagram 539, that is to say the cue ball should fall geratly on to the object white and the contact should be such that the object wihatte travels in the direction of tlfe inrterrseotod line, stopping short of the cushion. I DIAGRAM 540.—A gentle ithin ball4o-ball oannon getting full on to the white to leave an in-off. When the stroke is played in this manner, the oue ball will only travel a short die- tance owing to its fullish contact with the white and will consequently come to rest in good position for an in-off from the wbite. In playing this titan cajinon, to lea,ve an m-off from the white, it should not be forgotten that the thin contact with ,the red ban takee very little peee out of the oue ball, coentJ.y at ill lees i?tr(?,ngif r?hmld be used than when playing the half- ball--or approximately half-ball—cannon shown on Diagram 539. The posrbioms sihown on Diagrams 539 and 540 occur more frequently 8It the top of the table tha.n anywhere else, but they—and variations of them-may occur in relation to the baiulk cueih.ion and a baulk pocket, or in relation to any of the four side cushions and a corner pocket, just as tihey oocur in relation to the top cushion and a corncr pocket. When the positions are in relation to the baulk cushion and a baulk pocket—that is to say when in playing the eamnon the cue baJl ha-s to travel acrose the table in tihe same way as in Diagrams 539 and 540, the cannon—unless a very thin one —should be played exactly as already des- cribed, for the stroke which leaves position for an in-off from the white also sends the red bail otot of baulk, uwlees the oomtaot with .the red is too thin to canse this ball to teavel far enough to cross the baulk line. When the cannon to leave an in-off from the white is such a thin one that playing it means leaving the red in baulk another method of play must be resprted to in order to retain the object balls in good position, and examples of such strokes will be given in a later chapter. When the position to leave an irb-off from the white is similar to those shown on Diagrams 539 and 540 except that it is in relation to a side cuehion—that is to say when in playing the cannon the cue ball has to travel lengthways of the table instead of across the table-1ihe correct kind of stroke depends to a very great extent upon whether a cannon played to leave an in-off would leave--as the result of a well- played stroke—an in-off into a top pocket or into a OOuolk pocket. When the in-off from the white wonM be into a top pocket the cannon to lea-ve this in-off' is the I correct stroke to play. When the in-off from the white would be into a ba'ul'k pocket it all depends as to whether or not the cannon i would send the red out of baulk. When the position is such that the cannon leaves the white well situated for a subsequent in-off, also -end-.s the red out of baulk, this cannon is the correct stroke to play. When, how- ever, the position is such that the cannon which will leave position for a subsequent in-off from the white will not or may not- for somet,imos the position is such that it is a. very c?oee thing es to whether the red will or will not travel out of baulk t:h result 00 a ftroke of correct "trength in- relation to the object white—send the red over the line, then another method of play! —reference to which will be made in a later ohapter-must be a4opted in order to retain position. MT. Levi's articles appear in the "iiivenAng Express" every Saturday. No. 1 of thiifi series a/pipeared on October 3.

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